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Digital Subscriptions > The Guitar Magazine > Mar-18 > Block Buster!

Block Buster!

Andy Scott’s red ES-335 starred on the Sweet’s remarkable string of glam hits in the early 1970s. Steve Clarke gets up-close with this storied Gibson and busts a few myths about it along the way…

Andy Scott’s ‘63 ES-335

© Getty Images

Before Ballroom Blitz, Teenage Rampage and Hell Raiser lit up the charts, Sweet guitarist Andy Scott – then a member of Welsh psych-rockers The Elastic Band – saw Deep Purple’s Ritchie Blackmore playing a Cherry ‘61 ES-335 fitted with a Bigbsy B5 and simply had to have one of his own. Scott’s guitar – housed until recently at the British Music Experience in London’s O2 Arena and now in residence at Liverpool’s Cunard Building – was a ‘63 block-neck model purchased from a store in Manchester for the princely sum of £100 shortly before he joined the Sweet in 1970.

When Scott first encountered the instrument, it had a small battery-powered treble booster fitted where there’s now a metal cap on the top of the lower cutaway. It delivered a driven tone but made the guitar feed back too much and was removed as a result. It was also speculated that the guitar had been assembled from two separate ES-335s, as it features two distinct serial numbers: one on the back of the headstock and another on the orange label inside the body. The story goes that this was because a fire had broken out in the warehouse of Barratts Music Shop, damaging two guitars but leaving one body and one neck unscathed.

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About The Guitar Magazine

The March 2018 issue of The Guitar Magazine is on sale now, featuring Fender’s brand new 2018 flagships and a with free Taylor Guitars supplement for every reader! This month inside the UK’s best-loved and most affordable guitar magazine, we get to grips with Fender’s brand new for 2018 American Originals guitars in a UK exclusive first review. Find out if Fender’s reimagined golden era electrics will need to be on your must try list inside, and chose from our two special collector’s edition covers - will you pick Strat or Tele, or get the set? As if that wasn’t enough of a big deal, the March issue also comes with a free 24-page magazine dedicated to Taylor Guitar’s brand new V-Class bracing system – a hugely innovative way of making acoustic guitars that made serious waves when it was launched at last month’s NAMM show. Inside, we sat down with Taylor design guru Andy Powers to find out just what makes the new bracing system so remarkable, and got our hands on one of the first V-Class guitars Powers has built for an in-depth review. But we’re not all about shiny new gear here at The Guitar Magazine, and we’ve got plenty in store for vintage fanatics inside, too. For starters, we had the rare privilege of getting up close with a £230,000 1960 Gibson Les Paul Standard in Vintage Bench Test, while we also spent some time with a gorgeous 1963 ES-335 made famous in the hands of Sweet guitarist Andy Scott. If vintage guitar speculation is more your game, however, then take a trip with Huw Price to Paris as he wanders through the incredible vintage guitar shops of the City of Love’s ‘Music Village’ area - you might want to book a trip yourself. For all that and much more - including new gear from the likes of Vigier, Rivolta, Swart, Danelectro, Joe Satriani’s essential gear and the latest in our DIY Martin acoustic build project – pick up your print or digital copy of the March 2018 edition of The Guitar Magazine today.