Posing the subjects in this intimate embrace contradicts the angry Black woman narrative portrayed by the media. The DNA structure embodies the concepts of nurture, love and intimacy.
Ihad the privilege of sitting down for a chat with the remarkable Charlene Komuntale, an inf luential artist who has embraced her heritage with unwavering pride.
Born in Uganda, Komuntale carries a rich lineage. As a descendant of the Bunyoro-Kitara Kingdom, her story unravels tales of royalty and ancestral traditions that have shaped her into the passionate artist advocate she is today.
In this exclusive interview, I delve into her personal journey as she recollects her formative years immersed in the vibrant tapestry of her heritage. I explore how her upbringing, steeped in tradition, has shaped her perspective on embracing cultural roots in a modern world that often emphasises assimilation.
Mwai: Who is Charlene Komuntale?
Charlene: Wow, this is the most introspective question I have ever been asked and I love it! I am a 32-year-old Black Ugandan female visual storyteller, constantly evolving. I am intentional about understanding and authentically representing myself and my community, and I am deliberate in using my craft and all I’ve been given to love God and people.
Q: Can you share the motivation behind your strong focus on Black women in your artwork?
A: Our stories have historically been underrepresented, misrepresented or left untold. Women, especially Black women, have often been portrayed with limited depth and breadth throughout history. This narrative has persistently pressured women, including myself, to diminish their voices, dreams and ambitions. I grew weary of this status quo, where women were expected to be meek and silent.