Nobody noticed, but at some point, rock’n’roll got old, and stopped apologising for it. And in the process, the preoccupations of songwriters have slowly changed. Which means that an album like this 12th studio set from Galahad, who first emerged in the slipstream of the UK neo-prog movement of the early 80s, views the world from a mature viewpoint without sounding remotely irrelevant or unwelcome in the 21st-century rock arena.