TOP PHOTO ASHLEY KRASSEN. MAIN PHOTO PAT LEO
I feel like I have a multilayered connection with the music of Shostakovich. I was born in Lithuania when it was part of the Soviet Union, and moved to Vienna with my parents when I was three. I grew up with stories of the Stalin era ringing in my ears, and I can remember how careful we had to be, even on the other side of the Iron Curtain. My nursery school was on the same street as the Russian Embassy and my father instructed me never to speak Russian whenever I was on that street! So I was aware of the suppression that came with growing up under a dictatorship, and no Russian composer was more eloquent in captivating the feelings of angst and hopelessness than Shostakovich. He was the master of them all: not only the dark mood, suffering and cynicism, but also the moments of extreme warmth that sometimes shine through. Nearly every piece he wrote has one, including the String Quartet no.8, giving the message that as long as humanity lives on, you can lose everything but hope.
Lisez l'article complet et bien d'autres dans ce numéro de
The Strad
Options d'achat ci-dessous
Si le problème vous appartient,
Connexion pour lire l'article complet maintenant.
Numéro unique numérique
August 2023
 
Ce numéro et d'autres anciens numéros ne sont pas inclus dans une nouvelle version de l'article
abonnement. Les abonnements comprennent le dernier numéro régulier et les nouveaux numéros publiés pendant votre abonnement. The Strad
Abonnement numérique annuel
€57,99
facturé annuellement