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Black+White Photography Magazine March 2013 Edizione posteriore

English
341 Recensioni   •  English   •   Art & Photography (Photography)
Only €5,99
Experience the unique vision of Pentti Sammallahti as we take a look inside the Finnish photographer’s wonderful major retrospective book; we delve into the world of self-publishing and unearth the story of an unusual photo book; Colin Ford concludes his series on influential Victorian photographer Julia Margaret Cameron with her departure from England (complete with coffin) and her last years in Ceylon; and Roderick Field produces striking images on location in the California desert.
In a new series, we chart the ups and downs of a film novice learning the mystical ways of the darkroom; Tim Clinch has more handy Lightroom tips; Eddie Ephraums considers whether smartphones make us better photographers; Lee Frost goes in search of the perfect print; and Tim Daly experiments with hand tinting.
Landscape photographer Chuck Kimmerle comes under the B+W spotlight as he talks artists’ statements and kit disasters; Susan Burnstine focuses on Henry Horenstein’s images celebrating the peculiarly American phenomenon of country music; Colin Harding reveals the work of a pioneering astronomical photographer through the National Media Museum’s archives; and Tim Clinch reflects on the pleasures of picture taking.
Plus, Andy Luck puts the Olympus OM-D to the test, we checkout six of the best portable hard drives, news, exhibitions, the 46th book to make it into our classic library, your monthly photographic challenge and our favourite readers’ images.
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Black+White Photography

March 2013 Experience the unique vision of Pentti Sammallahti as we take a look inside the Finnish photographer’s wonderful major retrospective book; we delve into the world of self-publishing and unearth the story of an unusual photo book; Colin Ford concludes his series on influential Victorian photographer Julia Margaret Cameron with her departure from England (complete with coffin) and her last years in Ceylon; and Roderick Field produces striking images on location in the California desert. In a new series, we chart the ups and downs of a film novice learning the mystical ways of the darkroom; Tim Clinch has more handy Lightroom tips; Eddie Ephraums considers whether smartphones make us better photographers; Lee Frost goes in search of the perfect print; and Tim Daly experiments with hand tinting. Landscape photographer Chuck Kimmerle comes under the B+W spotlight as he talks artists’ statements and kit disasters; Susan Burnstine focuses on Henry Horenstein’s images celebrating the peculiarly American phenomenon of country music; Colin Harding reveals the work of a pioneering astronomical photographer through the National Media Museum’s archives; and Tim Clinch reflects on the pleasures of picture taking. Plus, Andy Luck puts the Olympus OM-D to the test, we checkout six of the best portable hard drives, news, exhibitions, the 46th book to make it into our classic library, your monthly photographic challenge and our favourite readers’ images.


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Black+White Photography issue March 2013

Black+White Photography  |  March 2013  


Experience the unique vision of Pentti Sammallahti as we take a look inside the Finnish photographer’s wonderful major retrospective book; we delve into the world of self-publishing and unearth the story of an unusual photo book; Colin Ford concludes his series on influential Victorian photographer Julia Margaret Cameron with her departure from England (complete with coffin) and her last years in Ceylon; and Roderick Field produces striking images on location in the California desert.
In a new series, we chart the ups and downs of a film novice learning the mystical ways of the darkroom; Tim Clinch has more handy Lightroom tips; Eddie Ephraums considers whether smartphones make us better photographers; Lee Frost goes in search of the perfect print; and Tim Daly experiments with hand tinting.
Landscape photographer Chuck Kimmerle comes under the B+W spotlight as he talks artists’ statements and kit disasters; Susan Burnstine focuses on Henry Horenstein’s images celebrating the peculiarly American phenomenon of country music; Colin Harding reveals the work of a pioneering astronomical photographer through the National Media Museum’s archives; and Tim Clinch reflects on the pleasures of picture taking.
Plus, Andy Luck puts the Olympus OM-D to the test, we checkout six of the best portable hard drives, news, exhibitions, the 46th book to make it into our classic library, your monthly photographic challenge and our favourite readers’ images.
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Black+White Photography is the champion of the B&W image. The magazine features stunning contemporary images from some of the finest names in black & white. As well techniques and tips, product news and reviews, every issue provides opportunities for readers to have their work published and to benefit from a variety of competitions and workshops. Black+White Photography is considered a ‘must read’ for anyone interested or working in the creative world of B&W imaging.

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Black+White Photography

great and challenging ideas Recensito 22 giugno 2026

Black+White Photography

Please include more "How to sections". Recensito 28 giugno 2025

Black+White Photography

very impressive Recensito 21 febbraio 2025

Very good magazine in need of some fresh perspectives

For the most part, I find B/W Photography Magazine essential reading: well-written; informative and with a good balance between different styles and methods. I especially like features about photographers and their work, the news and the book section.

I have one reservation. Apart from Lee Frost, I no longer read any of the staff writer/photographers. I feel that it is time for some fresh ideas and new perspectives.
Recensito 06 aprile 2022

Black + White Photography

It is one of the best photography magasines around. I so look forward to the arrival of each an every issue Recensito 18 febbraio 2021

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