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C86
Your at-a-glance guide to some of our favourite sub-genres
Named from a cassette compilation given away free with the NME, C86 would come to defi ne a very specifi c strain of guitar-led indie-pop…
STEVE O 'BRIEN
Katrina Mitchell, Aggi Wright and Stephen McRobbie, aka The Pastels
Primal Scream, in their pre-dance years
© Alamy
WHAT IS IT?
Sometimes confl ated with soundalike sub-genre ‘jangle-pop’, C86 was the term given to a particular brand of introspective, lo-fi , Byrds-infl uenced indie power-pop. The name derived from a cassette tape given away free with a May 1986 issue of the NME. A belated follow-up to their C81 comp from fi ve years previous, C86 was somewhat narrower in scope than its eclectic post-punk predecessor, featuring a gaggle of (often Scottish) bands that it was easy to mock as fey twentysomethings with pudding bowl haircuts and paisley shirts strumming Lovin’ Spoonful riffs on second--hand Rickenbackers. That said, not every song on the 22-track cassette conformed to that pasty-faced, solipsistic stereotype, with Stump, Bogshed, Big Flame and The Shrubs all sharing a similar political punch. And indie wags Half Man Half Biscuit never quite fi tted in with the Beano punk of I Hate Nerys Hughes (From The Heart).
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