Review by Heidi Waleson Photography by Ken Howard
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THE METROPOLITAN OPERA NEW YORK
Music
Staging
In Jaroslav Kvapil’s libretto, Rusalka is constantly characterised as pale, cold and bloodless even as the heartbreaking music conveys the depth of her yearning. Zimmerman’s concept, as executed by soprano Kristine Opolais, takes that coldness a bit too literally.
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