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Digital Subscriptions > Terrorizer Magazine > Terrorizer 273 > GHOUL


Bonkers thrashers return from the mythical town of Creepsylvania after a five year absence, with a brand new album in tow…


Thrashers and proud citizens of Creepsylvania, Ghoul are back with their fifth full-length ‘Dungeon Bastards’ out this month through Tankcrimes. They’ve released several EPs and splits during that period plus, erm, a labelled hot sauce (“goes well with maggots and rotten brains,” says the band) but it’s been five long years since their last proper full-length (‘Transmission Zero’). Caught as he was on his way to their castle carrying a bunch of (necro)sick and impaled posers, their vocalist and guitarist Digestor blames “the whole place going to shit,” for this delay as well as how“insane biker gangs, bloodthirsty brute squads, and power mad dictators have run roughshod over this place for years now. And that’s to say nothing of the gentrification problem. Our rent in the catacombs has gone through the freaking roof this past year. Luckily, going through the roof of the catacombs still places it somewhere near ground level, so it’s still quite affordable.”

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I know I am not alone when I say I’m a sucker for being nostalgic. The thing about loving music is that because it plays such a massive part in my life, when I listen to things, it invokes so many memories. I always find myself taking myself back to when I first heard said record, who I was with, what I was doing and so on. Right now as I write this, I’m listening to Prong’s ‘Force Fed’ album, recounting all the shows I saw Tommy and co in at the now defunct Birmingham Edwards No.8 club during my teens. Those shows were immense, even if the number of punters wasn’t! I’ve seen them in more recent years and still enjoy their musical output, but those early days to me, personally, were special. What has this got to do with anything, I hear you say? Well really, it’s the same reason as why I wanted to put Mastodon on the cover of this month’s issue ahead of their headline performance at Bloodstock. You see, Mastodon are one of those seriously special bands, who have not only etched themselves in my own nostalgia bank (hey, anyone who witnessed their debut capital gig at London’s Underworld supporting High On Fire will always remember that show) but more importantly, into the wider scheme of metal’s rich history. Never once have they repeated themselves musically and consequently they have successfully created a stunning discography that continues to remain vital as the years go by. Mastodon were a game changer and their Bloodstock show allows us a chance to remind ourselves just why we love them so much. In their own words, our cover feature allows the quartet look back at their career to date and look forward to the future too. Crack open a bottle, stick any of their albums on the stereo, flip to the interview and enjoy some nostalgia yourselves! Darren Sadler, Editor