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Capture lively harbour scenes

Jenny Aitkenhas been painting professionally for over 20 years, and exhibits across the UK. She tutors workshops and demonstrates to art societies throughout the UK. Jenny can be contacted by email: jen@jennyaitken.co.uk or through her website www.jennyaitken.co.uk

Harbour scenes are full of life, colour and light, and a beautiful opportunity for the painter but all those masts, curved hulls and lines can seem overwhelming. However, accurately representational painting can be less about drawing and more about colour, shape and texture. The real wow factor, for me, is when a subject comes to life. Here’s how I work it:

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The Artist
April 19
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Colour and order in the landscape
Felix Rowe discovers how landscape artist and illustrator Jonathan Chapman developed his distinctive Edward Hopper-inspired style for his acrylic and ink paintings
The role of artist-in-residence
As he prepares for a year as artist-in-residence at Munnings Art Museum, Roger Dellar provides an insight into what he will be painting, the benefits to the artist of taking a residency and shares his tips on how to apply for one and carry it out successfully
Working with partners
Self-promotion is key to selling your work, and working with partners is a great way to facilitate this, advises Mark David-Hatwood, as it benefits both parties
PRACTICALS
Conserve the light
Hazel Soan describes various methods and techniques for conserving the white paper in your watercolour paintings
Primers and coloured grounds \
In the first of his new three-part series Graham Webber discusses the importance of choosing the right primers and grounds for your style of oil painting
New approaches to drawing
Robert Dutton reveals how adopting a new approach to your work using expressive drawing media and techniques can result in positive benefits
Paint a selfie
Ian Sidaway demonstrates how he painted his self portrait using a limited palette in watercolour
Silky smooth colour
Liz Seward finds Caran d’Ache Luminance 6901 coloured pencils the perfect medium for depicting a found still lif
APRIL
GeoffHunt begins a new series in which he shares the results of his plein-air painting forays throughout the seasons
A process of elimination and interpretation
Kevin Scully demonstrates how to paint from a photograph without diminishing the integrity of your painting
The lower limbs and feet
Ruth Buchanan describes the main feet forms found in animals and shows you how to draw them correctly
Three-part paintings
Follow Paul Talbot-Greaves and take a loose approach to paint these colourful boats, in three easy parts
Buildingscapes in pencil
Paul Riley urges you to consider drawing buildingscapes, and offers his advice and tips for equipment to take with you and techniques to use
Expressive landscapes
Use strong clean colours and energetic marks to create eye-catching acrylic landscapes, with Marie Antoniou
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Painters Online editor’s choice
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