IT
  
Attualmente si sta visualizzando la versione Italy del sito.
Volete passare al vostro sito locale?
28 TEMPO DI LETTURA MIN

A new class of oil paint

TEST REPRT

Sennelier’s new range oil paints, Rive Gauche, consists of 60 colours in 40ml tubes – 56 colours in 200ml tubes, 52 opaque, six semi-opaque, two transparent and four iridescent colours. So what’s different?

Leggete l'articolo completo e molti altri in questo numero di The Artist
Opzioni di acquisto di seguito
Se il problema è vostro, Accesso per leggere subito l'articolo completo.
Singolo numero digitale Jan-18
 
€6,99 / issue
Questo numero e altri numeri arretrati non sono inclusi in un nuovo abbonamento. Gli abbonamenti comprendono l'ultimo numero regolare e i nuovi numeri pubblicati durante l'abbonamento. The Artist
Abbonamento digitale annuale €47,99 fatturati annualmente
Risparmiare
43%
€4,00 / issue
Abbonamento digitale mensile €5,99 fatturati mensilmente
Risparmiare
14%
€5,99 / issue
ABBONAMENTO ALLA STAMPA? Disponibile su magazine.co.uk, la migliore offerta di abbonamento a una rivista online.
 

Questo articolo è...


View Issues
The Artist
Jan-18
VISUALIZZA IN NEGOZIO

Altri articoli in questo numero


The Artist
WELCOME from the editor
Want to comment on something you’ve read, or seen? Email me at theartistletters@tapc.co.uk, or visit our website at www.painters-online.co.uk/forum
PLUS
THE ART WORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
YOUR VIEWS
This month’s star letter writer will receive a Landscape Selection of 48 Van Gogh soft pastels worth £49.99, courtesy of Royal Talens. For more information about these, and other Royal Talens products, seewww.royaltalens.com
OVER £17,500WORTH OF PRIZES
We are looking for the best work from amateur painters in the Leisure Painter category and from experienced and professional artists in The Artist category.
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
FEATURES
Memorable painting
Caroline Saunders talks to Rob Adams who paints serene watercolour landscapes with limited highlights and achieves an effect similar to that of an engraving in his pen and ink works
The easy gift to give WORTH £57.20
£37.99 by annual Direct Debit or £39.99 by all other
Abstract arrangements
Dennis Spicer shares his thoughts about his intuitive approach to colour and form and the sense of ‘stillness’ in his still-life oil paintings
Impressionists in London
Susie Hodge reviews this must-see exhibition at Tate Britain
Why use a gallery to promote and sell my work?
This subject arose during Mark David Hatwood’s live Facebook podcast for our website Painters Online in April 2017. It’s a valid question in this digitally interconnected, social-media age. He attempts to shed some light on that quandary
The artist OPEN COmPETiTiONS & ExhibiTiONS 2018
These listings are in chronological order according
Charles Williams’ musings Illustration
Last year one of my main activities as programme director
PRACTICALS
The dark and the light
Jake Winkle shows you how to capture light in watercolour by the use of extreme shadows in both daytime and night-time subjects
Table-top landscapes
Richard Pikesley, president of the New English Art Club, reveals the benefits of painting indoor landscapes in oils – still lifes that ‘connect with the landscape outside’
How to draw the horse
In the first of two articles equestrian artist Ruth Buchanan shares her 10 key techniques for making a successful drawing of the horse
Watercolour techniques for misty days
Peter Cronin demonstrates pure watercolour painting techniques for atmospheric landscapes, including fog, mist and haze
Painting the ground
In his final instalment in this series, Graham Webber advises what you need to consider, and how to make it all come together, when painting land in a landscape
Still life with flowers
Judi Whitton looks at what to consider when painting still life in watercolour – what to leave in, what to take out, and how to bring all the separate elements together for a balanced painting
The head and neck
In the second part of her series, Adele Wagstaff identifies the superficial structures and anatomy of the head and neck so you know what to look out for when drawing the figure
Painting by instinct
Painting by instinct is a great way to achieve freedom of expression, says Barry Freeman, who urges you to be bold and paint in a looser style using acrylics