IT
  
Attualmente si sta visualizzando la versione Italy del sito.
Volete passare al vostro sito locale?
45 TEMPO DI LETTURA MIN

Landscape textures in watercolour

Streams and ponds, country walls, rustic gates and fences, as well as other manmade geometric elements, add structure to the tumult of wild nature. Let’s create poetic visual interpretations of these real objects and inject magic and imagination into our watercolour washes.

I have chosen rustic walls for my demonstration as natural stones offer an irresistible array of textures to explore. Play with ideas as always before you start.

Leggete l'articolo completo e molti altri in questo numero di The Artist
Opzioni di acquisto di seguito
Se il problema è vostro, Accesso per leggere subito l'articolo completo.
Singolo numero digitale May 18
 
€6,99 / issue
Questo numero e altri numeri arretrati non sono inclusi in un nuovo abbonamento. Gli abbonamenti comprendono l'ultimo numero regolare e i nuovi numeri pubblicati durante l'abbonamento. The Artist
Abbonamento digitale annuale €47,99 fatturati annualmente
Risparmiare
43%
€4,00 / issue
Abbonamento digitale mensile €5,99 fatturati mensilmente
Risparmiare
14%
€5,99 / issue
ABBONAMENTO ALLA STAMPA? Disponibile su magazine.co.uk, la migliore offerta di abbonamento a una rivista online.
 

Questo articolo è...


View Issues
The Artist
May 18
VISUALIZZA IN NEGOZIO

Altri articoli in questo numero


The Artist
WELCOME
Want to comment on something you’veread, orseen? Email
NEXT MONTH IN the artist
MASTERCLASS Patrick Cullen explains and demonstrates
THE ART WORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
YOUR VIEWS
Letters, emails and comments
SUBSCRIBE TO The Artist
Subscribe today and you will enjoy our best price.
FEATURES
Landscape colours
Bob Rudd reveals the techniques he uses to achieve the intensity of colour in his vibrant watercolour landscapes
A prodigious talent
Up-and-coming young artist Kieron Williamson, whose paint-handling skills have made him a phenomenally successful artist, demonstrates a watercolour painting of a farming scene
How to drive effective sales in the digital domain – social media
Building on last month’s article on why artists should embrace the internet, Mark David Hatwood explains why social media are vital for successful outcomes
Charles Williams’ musings GRANTS
Some years ago I watched a documentary about one of
PRACTICALS
Tonal impressionism
Amanda Hyatt introduces her Five Steps to Watercolour in the first of a new six-part series in which she shares some of her techniques and ideas on how to see and paint what is in front of you
Adapt your sketching kit
When a tool isn’t quite right for the job, why not adapt it to suit your needs? David Parfitt reveals how he has successfully adapted his plein-air sketching kit to get the most from his outdoor experience
Going grisaille
Jo Quigley explains why painting in grisaille is something you should consider, and demonstrates how to use this technique to make a grisaille painting in acrylic
Portrait drawing
Ann Witheridge continues her new series by explaining which elements are crucial to a successful likeness and how to achieve them, while Archie Wardlaw demonstrates how to put it all into practice in charcoal
How to use complementary colours
By focusing on strong complementary colours you can achieve vibrant results, as Marie Antoniou demonstrates with a lively painting of flowers in acrylic
A great base for watercolour
Deborah Walker explains why Winsor & Newton Professional Water Colour paper ‘gives the artist every chance of success’
The power of pen and wash
Innovative, dynamic and illustrative is how Paul Riley describes this combination of media. He reveals his techniques as he makes three short demonstration paintings
Water-mixable oils alla-prima
Paul Weaver discovers an abundance of exciting subject matter where land meets the sea and finds water-mixable oils a versatile medium with which to go exploring
The perfect media for a plein-air impression
In the second part of her series, Julie Collins looks more closely at using watercolour and ink for sketches and studies of foliage, trees and winter landscapes, with simple exercises and tips
Bring your portraits to life
Will Teather, who enjoys the immediacy of working from a live model demonstrates a portrait in acrylics, painted from life
Paint daffodils in watercolour
Paul Talbot-Greaves begins a new monthly series in which he demonstrates how to interpret a variety of painting subjects in just three main parts
PLUS
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT