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Dover sea front

This month I have selected to paint in watercolour and acrylic. My chosen subject is the iconic vista of Dover sea front. I spent many years in this part of England when teaching at South Kent College, and have fond memories of the people I met there during that time.

The eastern half of Dover sea front is dominated by the ‘Gateway’, a post-war development incorporating a new, exciting and controversial style of architecture for the town, the council describing it as a ‘New York-style’ apartment block. The design had been controversial and only received planning consent in 1956 after 13 years of political wrangling. Despite its modernity this is a very elegant building and I am sure that the view on the sixth floor must be quite stunning.

The western half of the sea front still retains the 19th-century Waterloo Crescent and the two make an interesting building comparison. Add to this the skyline silhouette of Dover Castle and the artist is presented with over 800 years of architectural styles to capture.

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The Artist
October 19
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The Artist
WELCOME from the editor
Want to comment on something you’ve read, or seen? Email me at theartistletters@tapc.co.uk or visit our website at www.painters-online.co.uk/forum
PLUS
STAR LETTER
A great way to learn
THE ARTWORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
ART BOOKS
Landscape Painting Now - from Pop Abstraction to New
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
PaintersOnline editor’s choice
Meet this month’s editor’s choice winner from our PaintersOnline gallery
FEATURES
Light, high-key colour and action!
Susie Hodge talks to Fred Coppin, winner of the The Artist Award in last year’s Royal Institute of Oil Painters’ annual exhibition, who demonstrates his approach to portraiture
Layers of detail
Jennifer McRae, winner of the 2019 Lynn Painter-Stainers Prize, talks to Susie Hodge about the benefits of entering competitions and working in a variety of media in her portraits, landscapes and cityscapes
CHARLES WILLIAMS’ MUSINGS
Art versus craft
some of the best art courses and holidays in the UK and abroad
Enjoy a relaxing break in Norfolk as you develop your
PRACTICALS
Autumn flowers in vibrant colour
Soraya French begins a new series in which she explores the endless opportunities offered by working in mixed media for painting lively and vibrant floral subjects
Still life: not just a vase of flowers
Amanda Hyatt shares her top ten tips for adding mood, magic, light and a sense of time to a watercolour still-life painting
Give oil pastels a go!
Ben Hope has re-discovered the advantages and versatility of oil pastels. He shares his techniques and tips for working on a variety of subjects, whether in your sketchbook or a finished painting
Derwent Lightfast 100-per-cent lightfast oil-based pencils
Award-winning artist Judith Selcuk specialises in coloured pencil fine art. Here she takes a look at the newly available colours in Derwent’s range of oil-based coloured pencils and demonstrates their painterly qualities with a painting of orchids
Beauty or beast?
Beauty is in the eye of the beholder and, as Ian Sidaway points out, landscape artists no longer feel they have to search out the ‘picturesque’. When he came across the Sound Mirrors on Romney Marsh he was immediately inspired to capture these majestic structures in watercolour
Autumn light
Paul Talbot-Greaves demonstrates how to paint a scene with soft, autumnal light in watercolour in just five easy stages
Paint a sunset in acrylics
Jenny Aitken emphasises the importance of design as she demonstrates how to give your sunset impact
Sketch figures in line and wash
Paul Weaver underlines the benefits of drawing and painting the human figure from life and demonstrates just how easy this is to slot into your busy painting schedule
VENICE SKETCHBOOK 2
Geoff Hunt makes a second trip to Venice to gather material for his exhibition, only to encounter rain
Stormy skies in watercolour
Barry Herniman demonstrates how to imbue a dramatic watercolour landscape scene with mood and atmosphere
Painting a commissioned portrait
Frances Bell reveals how she approached a commission from the Metropolitan Police to paint a portrait of Commissioner Cressida Dick
The Artist 2019 Open Art Competition
Be inspired by the work of some of our talented prizewinners in this year’s annual open competition, organised in partnership with Patchings Art Centre