Paul Talbot-Greaves
CONTRASTS IN WATER COLOUR: 5 OF 6
At a recent workshop I was asked why my demonstration painting appeared to have a great amount of depth when I had used values that were darker in the background than in the foreground. The person asking the question had always been told you had to make the distance pale and the foreground strong and that cool colours have to be used in the background. Distance is an illusion that is achieved through the use of aerial perspective and whilst colours are often cooler towards the horizon, they aren’t always. Likewise, they’re not always pale values either. The distance, like all other elements of a painting is relative to the focus you choose and, in turn, how you decide to treat it.
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