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FIRST IMPRESSIONS

For his debut album as an exclusive BIS artist, Johan Dalene – teenage winner of last year’s Carl Nielsen International Competition – has not shied away from ambitious and much-loved repertoire. He and producer Jens U. Braun recall the recording process
MARIA HOVBERG

’THE LAST MOVEMENT OF THE BARBER, FOR ME, HAS A FIREWORKLIKE EFFECT. IT’S REALLY COOL!’ – JOHAN DALENE

JOHAN DALENE

Before I started recording this Barber and Tchaikovsky concerto album I had already played both pieces with the Norrköping Symphony Orchestra and conductor Daniel Blendulf, as I was their artist-in-residence last season. We recorded the album in the Swedish city of Norrköping, which is where I grew up. My dad plays in the orchestra, so that made the experience very special.

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About The Strad

In a French-themed issue, the Ébène Quartet discuss their huge Beethoven project and we examine the early violins of J.B. Vuillaume. There’s a look at Michel Colichon and Nicolas Lupot, and Jean-Luc Ponty gives his Sentimental Work. Plus a Masterclass on Schubert’s Arpeggione Sonata.