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‘During the 30 years I spent working as a violinist I realised that rosins were too general,’ explains Andrew Baker of Leatherwood Bespoke Rosin, whose newly updated double bass rosin is now available. ‘Standard rosins are designed to work well for everyone but the reality is that players can have vastly different requirements. The instrument, bow and playing conditions all have an impact.’ His solution was to give players the opportunity to choose from a range of different formulations, with the option to tailor the recipe according to the amount of ‘attack’, ‘traction’, ‘texture’ and ‘clarity’ preferred.

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Find the complete article and many more in this issue of The Strad - January 2020 and String Courses supplement
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About The Strad

Lisa Batiashvili discusses her latest projects and we delve into the mysterious world of varnish making. There’s a look at strategies for teaching adolescents, and Leila Josefowicz completes her look at Berg’s Violin Concerto. Plus Sheku Kanneh-Mason’s Sentimental Work.