Barbirolli and du Pré discuss the Cello Concerto score
COURTESY WARNER CLASSICS
Although Jacqueline du Pré was not the first great player to record Elgar’s Cello Concerto, the performance that she, the London Symphony Orchestra and John Barbirolli set down on 19 August 1965 became an instant classic. The first two movements, taped virtually in one take, provoked applause from the orchestra, who had been grumpy at the start of the morning. Word got around EMI that something special was going on at Kingsway Hall, London, and by the end of the afternoon many staff were sitting at the back of the venerable venue (now replaced, like St James’s Hall and Queen’s Hall, by a hotel). With a sympathetic producer, Ronald Kinloch Anderson, an expert engineer, Christopher Parker, and a well-established rapport between 20-year-old soloist and veteran conductor, the auguries were good.
Sales of the original LR with its striking white cover, were helped by having Janet Baker’s peerless version of Sea Pictures on the other side, but there was no question of du Pré being the junior partner. She was already fixed in the mind of the British public as the living soul of the Elgar, and that impression still spreads: only the other day I heard Sheku Kanneh-Mason say that du Pré’s Elgar was his inspiration in his early days as a cellist.
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