Shopping Cart -

Your cart is currently empty.
Continue Shopping
This website use cookies and similar technologies to improve the site and to provide customised content and advertising. By using this site, you agree to this use. To learn more, including how to change your cookie settings, please view our Cookie Policy
Pocketmags Digital Magazines
Pocketmags Digital Magazines
   You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
Digital Subscriptions > MusicTech > Mar-18 > PRESONUS StudioLive 16 Series III £2,029

PRESONUS StudioLive 16 Series III £2,029

PreSonus knows what producers want, and with the new Series III StudioLive, is very much trying to put it all in one box. Andy Jones opens it up…

Contacts PreSonus | Source Distribution 0208 962 5080

As great as mixing in the DAW has become, nothing really beats getting your hands dirty with real knobs and sliders, with hands-on action and the tactile feedback that you get from a proper mixing desk. And with a resurgence in musicproduction hardware, led by modular synths and keyboards, the hardware mixer is most definitely back in vogue. Today’s mixers are now much more fully featured affairs; units that have to sit side-by-side with a computer-production setup, work well with it, or replace it. The latest PreSonus StudioLive Series III is a new instalment in a group of mixers/interfaces attempting to do all this.


There are several models in the StudioLive mixer range, which is now at Series III. There’s the 16 (on test here), the 24 (actually 25 mic ins) and the 32 (over twice the physical size and with 32 input channels). They look very similar in terms of controls and screens. The PreSonus website also notes the older StudioLive RML32AI, one I’ve previously tested, as still being still available; and the 32.4.2AI is also still around and is a fully featured bigger, older brother. According to PreSonus, all three Series III mixers “provide exactly the same mixing capabilities internally”. It’s only those different ins and outs that really separate them, so looking at the 16 should give us a good taste of the range. As I’ve hinted at, the StudioLive series works seamlessly with a DAW setup – you can even use it as a control surface for PreSonus’ Studio One software (and I suspect other DAWs will be included in firmware updates).

Purchase options below
Find the complete article and many more in this issue of MusicTech - Mar-18
If you own the issue, Login to read the full article now.
Single Issue - Mar-18
Or 299 points
Annual Digital Subscription
Only £ 2.33 per issue
Or 2799 points
Monthly Digital Subscription
Only £ 2.99 per issue
Or 299 points

View Issues

About MusicTech

Now settled into 2018 we look ahead to the future of music. With NAMM 2018 behind us we had a chance to ponder on the many new and exciting pieces of tech we saw and their impact on music creation. In this issue, we bring you our annual show report, containing info on all the latest tech that you can expect to get your hands on in 2018. In keeping with the ‘future’ theme, our lead interview highlights the work of the legendary technological pioneers at the Bell Labs and their collaboration with artist Beatie Wolfe. Their augmented reality, 3D work Raw Space reimagines the album as a multi-sensory, immersive experience. We also speak to Aki Mäkivirta from Genelec about the advanced tech at the heart of the award-winning The Ones monitors. Elsewhere this issue, we have a guide to taking your mixes to the stage, our usual tips and tutorials and an expanded reviews section. We hope you enjoy the issue…