Shopping Cart -

Your cart is currently empty.
Continue Shopping
This website use cookies and similar technologies to improve the site and to provide customised content and advertising. By using this site, you agree to this use. To learn more, including how to change your cookie settings, please view our Cookie Policy
Pocketmags Digital Magazines
Pocketmags Digital Magazines
   You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
Digital Subscriptions > MusicTech > May-18 > TRACK PRESETS IN PRO TOOLS


Pro Tools 2018 brings with it a new way of importing your templates, based on a favoured “hack”. Mike Hillier helps you get to grips with the new Track Presets function



The switch from major updates every few years, to a subscription model with rolling updates, has seen a raft of improvements both big and small come to Pro Tools recently. While some of these have simply been previously HD-only features making their way into the standard native version of Pro Tools, many are completely new features, with Avid listening to users and implementing many of the most requested features.


The most recent batch of updates – which also saw Pro Tools switch to a year-based naming convention, rather than the previous sequential numbering, which more suitably represents the new rolling upgrades model – includes one of our own most requested features, Track Presets.

Those of you who constantly scan forums and user groups online, will be aware of a previous “hack” which enabled you to create your own track presets. This workaround, which required saving channels as templates, placing them in a very specific folder and then renaming the file, was a fudge. It enabled the creation of basic track presets, but with each new version of Pro Tools, the “hack” had to be re-tooled and because it wasn’t officially supported it was possible that any future update would break it.

Purchase options below
Find the complete article and many more in this issue of MusicTech - May-18
If you own the issue, Login to read the full article now.
Single Issue - May-18
Or 299 points
Annual Digital Subscription
Only £ 2.33 per issue
Or 2799 points
Monthly Digital Subscription
Only £ 2.99 per issue
Or 299 points

View Issues

About MusicTech

Imagine some of those iconic cinematic scenes without the music. The scintillating establishing scenes of Blade Runner’s futuristic Los Angeles, Elliot and E.T. soaring past the full moon on their flying bicycle or Luke Skywalker staring up at the twin suns of Tatooine. In our cover feature this month, we present the complete guide to the process from a professional standpoint, with industry advice and even step-by-step guides to try some of the unique creative processes yourself. In addition to our main feature, we also speak with in-demand composer Junkie XL about his work on top-tier blockbusters and commemorate the 20th anniversary of Air’s Moon Safari in this month’s Recording Spotlight. Our expanded tutorial section now (once again!) covers Pro Tools, as well as our usual range of reviews, tips and the second part of our Essential Guide To Plug-In Effects. We hope you enjoy the issue…