Shopping Cart -

Your cart is currently empty.
Continue Shopping
This website use cookies and similar technologies to improve the site and to provide customised content and advertising. By using this site, you agree to this use. To learn more, including how to change your cookie settings, please view our Cookie Policy
Pocketmags Digital Magazines
GB
Pocketmags Digital Magazines
   You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
Digital Subscriptions > MusicTech > Nov-18 > ADVENTURES OF THE ORB

ADVENTURES OF THE ORB

Alex Paterson and Martin ‘Youth’ Glover are celebrating 30 years of The Orb with a world tour and even their own Orbfest festival. We catch up with them on the road to recall – or try to – three decades of chilled music making and Adventures Beyond the Ultraworld…

MT INTERVIEW

THE ORB INTERVIEW

Alex Paterson at the decks at Orbfest. All pictures by roney fm@k3 media.

Alex Paterson and producer Martin ‘Youth’ Glover are together again as The Orb, celebrating 30 years of the ambient/chillout band that started life in the late-80s as the perfect antidote to rave music.

Paterson has been the only permanent member of The Orb during that time and achieved his greatest success with singles such as Little Fluffy Clouds and the albums UFOrb and The Orb’s Adventures Beyond the Ultraworld. While The Orb were famous for sampling and creating great washes of synthetic and dubby sound, it was Youth who assumed a more studio-based role and he went on to find enormous success in the world of music production. After playing bass in Killing Joke, and throwing himself into record label management, he become a world-renowned producer for the likes of The Verve (Urban Hymns), Embrace, Beth Orton and Pink Floyd (he co-produced their final album Endless River). He has also remixed and collaborated with many other artists including U2, Kate Bush, Paul McCartney and Guns N’ Roses.

READ MORE
Purchase options below
Find the complete article and many more in this issue of MusicTech - Nov-18
If you own the issue, Login to read the full article now.
Single Issue - Nov-18
£2.99
Or 299 points
Annual Digital Subscription
Only £ 2.33 per issue
SAVE
22%
£27.99
Or 2799 points
Monthly Digital Subscription
Only £ 2.99 per issue
£2.99
Or 299 points

View Issues

About MusicTech

Mastering is frequently regarded as a technique that is best left to the experts, one that requires an almost superhuman level of hearing and a bespoke mastering suite, filled with state of the art equipment. It’s little wonder that when many music makers and producers reach that stage in the process, they outsource their mastering without a second thought. However, that need not always be the case. In our cover feature this month, Adam Crute unravels the deep mysteries of mastering and explains how – with a little know-how – you can take on the daunting task of preparing your music for release yourself. Also in this issue, we had the amazing honour of speaking to Doctor Who’s new composer Segun Akinola. A BAFTA Breakthrough Brit, Segun’s compositions for the beloved series are inspired by the original, experimental approach that the BBC’s Radiophonic Workshop spearheaded in the 1960s, but they still retain his own unique stamp. Elsewhere, we have a whole new heap of lovely products in our review section, with IK’s all-analogue UNO synth in particular being a tremendously useful (and fun!) piece of tech. Our practical, DAW-specific guides this month cover a typically vast range of topics alongside a general guide to EQing your tracks. I hope you enjoy this issue.