Shopping Cart -

Your cart is currently empty.
Continue Shopping
This website use cookies and similar technologies to improve the site and to provide customised content and advertising. By using this site, you agree to this use. To learn more, including how to change your cookie settings, please view our Cookie Policy
Pocketmags Digital Magazines
GB
Pocketmags Digital Magazines
   You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
Digital Subscriptions > MusicTech > Nov-18 > MIXED IN KEY Captain Plugins 2.0 $79

MIXED IN KEY Captain Plugins 2.0 $79

Captain Plugins is a new suite of tools to help composers extend their chord, melody and bassline palette. Alex Holmes takes a suite at the Captain’s table

Contact contact@mixedinkey.com | www.mixedinkey.com

We’ve seen quite a few compositional aids crop up in recent years, and Mixed in Key is the latest company to add its product to the fray. Best known for its harmonic DJ mixing software of the same name, Mixed In Key’s latest plug-in suite offers up a way to quickly generate chord progressions, melodies and basslines to kick start the creative process. Captain Chords, Captain Melody, Captain Deep and Captain Play actually started life as features inside a musical sketch pad software called Odesi, but have been developed and broken down to modular VSTs that can be used on MIDI tracks in your DAW of choice.

READ MORE
Purchase options below
Find the complete article and many more in this issue of MusicTech - Nov-18
If you own the issue, Login to read the full article now.
Single Issue - Nov-18
£2.99
Or 299 points
Annual Digital Subscription
Only £ 2.33 per issue
SAVE
22%
£27.99
Or 2799 points
Monthly Digital Subscription
Only £ 2.99 per issue
£2.99
Or 299 points

View Issues

About MusicTech

Mastering is frequently regarded as a technique that is best left to the experts, one that requires an almost superhuman level of hearing and a bespoke mastering suite, filled with state of the art equipment. It’s little wonder that when many music makers and producers reach that stage in the process, they outsource their mastering without a second thought. However, that need not always be the case. In our cover feature this month, Adam Crute unravels the deep mysteries of mastering and explains how – with a little know-how – you can take on the daunting task of preparing your music for release yourself. Also in this issue, we had the amazing honour of speaking to Doctor Who’s new composer Segun Akinola. A BAFTA Breakthrough Brit, Segun’s compositions for the beloved series are inspired by the original, experimental approach that the BBC’s Radiophonic Workshop spearheaded in the 1960s, but they still retain his own unique stamp. Elsewhere, we have a whole new heap of lovely products in our review section, with IK’s all-analogue UNO synth in particular being a tremendously useful (and fun!) piece of tech. Our practical, DAW-specific guides this month cover a typically vast range of topics alongside a general guide to EQing your tracks. I hope you enjoy this issue.