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Digital Subscriptions > MusicTech > Nov 2019 > KEITH MCMILLEN INSTRUMENTS K-Board Pro 4 $895

KEITH MCMILLEN INSTRUMENTS K-Board Pro 4 $895

Keith McMillen Instruments’ latest keyboard was a long time coming, but delivers MPE control, a solid build and unique feel for an attractive price

Keith McMillen Instruments has fast become well known for its innovative and well-designed controllers. It’s made a big impact with a range that includes everything from the K-Board mini keyboard that I reviewed a couple of years back, through to the more colourful K-Mix, which covers your mixing, interface and control needs. The company also produces pad and foot controllers, all with a unique KMI look and feel.

Such is the company’s reputation that when it announced a Kickstarter campaign for a new K-Board around three years ago, it quickly reached its target, although the wait for the end result – the K-Board Pro 4, on test here – has obviously been a very long one. Happily, it seems to have been largely worth it…

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About MusicTech

It’s pretty much certain that if you’ve bought this magazine, then you will have parted with some of your hard-earned cash on gear for your studio. And let’s be honest, it’s a safe bet you’re not done yet. Unfortunately, our wallets aren’t bottomless, but even though we might think we have to spend ever-increasing fortunes on new tech to enhance our studios, it’s actually far cheaper to branch into the world of free software. In 2019, there are near-mountains of free software available – tailored for each part of the production process. But it can be a time-consuming quest to amass (and test) the right tools for your needs. So in this issue, we’ve rounded up the very best freeware that you can download to create your own free virtual studio. You might have also noticed that this issue comes with an added extra! We’re celebrating a whopping 200 issues of MusicTech – and to mark the occasion, we’ve put together a brand-new, freshly written guide to mixing. We hope it will serve as a companion to you in the studio, should you need to refresh your knowledge of key principles, mixing approaches and more. Elsewhere, we’ve got the final part of our Synthesis Masterclass series, which details how the computer became the ultimate synth! We also speak to former Pulp bass player and now Grammy-nominated producer Steve Mackey about his diverse career and also to the astute people at Black Lion Audio, who have combined the very best of modern technology with vintage designs. In our reviews, we spend time with Behringer’s Odyssey and discover a faithful and competitively priced recreation of a classic. We’ve also got our usual in-depth tutorials, tips and guides, so I hope you enjoy our 200th issue!

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