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Digital Subscriptions > MusicTech > Sep-18 > We all love our studios, right?

We all love our studios, right?

WELCOME

Aside from being the hub of our music-making gear and technology, they are the place we go when we’re feeling creative, when we have that flash of inspiration or just want to spend some time disconnected from the ‘real’ world – losing ourselves in the more abstract world of music. Regardless of their size or gear-quotient, each of our personal studios share that same distinct quality. But, if you’re hoping to develop a career as a professional recording engineer or producer, one of the things you’re going to have to face up to is that – in all likelihood – your studio, and indeed your gear, isn’t calibrated correctly for optimum mixing. In our cover feature this month, Alex Holmes guides you through the science and logic behind why it’s necessary to calibrate your studio and equipment, and the steps you’ll need to take to guarantee perfect, balanced sound at all times.

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About MusicTech

In our cover feature this month, Alex Holmes guides you through the science and logic behind why it’s necessary to calibrate your studio and equipment, and the steps you’ll need to take to guarantee perfect, balanced sound at all times. Also this issue, Erin Barra simplifies some vital music production concepts that may have long eluded your understanding – to hopefully increase your sonic vocabulary. We speak to Kanye West’s former controllerist and cutting-edge musician Laura Escudé, UNO synth designer Erik Norlander and Emmy-winning Guus Hoevenaars. Additionally, we present our in-depth reviews of Roland Cloud, PreSonus Studio One 4, Loopcloud 2.0, Elektron Analog Four MkII and more, as well as 5 brand new tutorials to broaden your production chops.