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Digital Subscriptions > MusicTech > Sep-18 > d:vice™ MMA-A £528

d:vice™ MMA-A £528

Have you ever wanted to take recording out into the wild? Mike Hillier gets his motor running and leaves the studio, along with a handy d:vice™…


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DPA Microphones are known the world over for their open, transparent sound. From recording studios, to tour rigs, TV and film studios and even laboratories, DPA has a microphone for almost every occasion, as well as a huge selection of specialist mounting accessories. Last issue we took a trip to Denmark to see how DPA build their industrybeloved microphones, often utilising microscopes to craft the tiny capsules contained in some of their most acclaimed products. Many of these incredibly small and discrete microphones are ideal for touring and television use. To facilitate their tiny size, many DPA microphones come with a small MicroDot connector rather than (or in addition to) a standard XLR connector.

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About MusicTech

In our cover feature this month, Alex Holmes guides you through the science and logic behind why it’s necessary to calibrate your studio and equipment, and the steps you’ll need to take to guarantee perfect, balanced sound at all times. Also this issue, Erin Barra simplifies some vital music production concepts that may have long eluded your understanding – to hopefully increase your sonic vocabulary. We speak to Kanye West’s former controllerist and cutting-edge musician Laura Escudé, UNO synth designer Erik Norlander and Emmy-winning Guus Hoevenaars. Additionally, we present our in-depth reviews of Roland Cloud, PreSonus Studio One 4, Loopcloud 2.0, Elektron Analog Four MkII and more, as well as 5 brand new tutorials to broaden your production chops.