Shopping Cart -

Your cart is currently empty.
Continue Shopping
This website use cookies and similar technologies to improve the site and to provide customised content and advertising. By using this site, you agree to this use. To learn more, including how to change your cookie settings, please view our Cookie Policy
Pocketmags Digital Magazines
Pocketmags Digital Magazines
   You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
Digital Subscriptions > MusicTech > Sep-18 > Studio One 4 £344.40 - £128.40 UPGRADE

Studio One 4 £344.40 - £128.40 UPGRADE

Presonus’ Studio One has come from nowhere and is teaching the big guns of the DAW world a few things. So what needs updating? asks Andy Jones


Contact Presonus |,

I don’t want to get all ‘in my day it was just Logic and Cubase and we made do’ but, rather like TV channels, the number of DAWs we have has exploded in recent years.

Unlike most digital TV channels, though, most DAWs seem to have very good features and are capable of just about any studio task you throw at them. One of these, Presonus’ flagship Studio One DAW, seems to have snuck up on us all from nowhere though. And even more oddly, it has always felt ‘complete’, like a DAW with a long heritage –so much so that it has already become something of a challenge to the mighty Pro Tools in professional circles, certainly over the Atlantic, anyway. It turns out that, for once, this isn’t just me imagining things, because a quick glance at Wiki (I do it so you don’t have to) reveals that Studio One really has only been around less for less than a decade. And the fact that it was started by a couple of ex-Steinbergers probably reveals why it became the real deal of sequencing so quickly. The problem with a rounded and finished piece of software, though, is where do you go with updates? Simple, you just make everything easier to use so that your users can, in Presonus’s words, ‘work better, faster’. Which brings us to the new version 4.

Purchase options below
Find the complete article and many more in this issue of MusicTech - Sep-18
If you own the issue, Login to read the full article now.
Single Issue - Sep-18
Or 299 points
Annual Digital Subscription
Only £ 2.33 per issue
Or 2799 points
Monthly Digital Subscription
Only £ 2.99 per issue
Or 299 points

View Issues

About MusicTech

In our cover feature this month, Alex Holmes guides you through the science and logic behind why it’s necessary to calibrate your studio and equipment, and the steps you’ll need to take to guarantee perfect, balanced sound at all times. Also this issue, Erin Barra simplifies some vital music production concepts that may have long eluded your understanding – to hopefully increase your sonic vocabulary. We speak to Kanye West’s former controllerist and cutting-edge musician Laura Escudé, UNO synth designer Erik Norlander and Emmy-winning Guus Hoevenaars. Additionally, we present our in-depth reviews of Roland Cloud, PreSonus Studio One 4, Loopcloud 2.0, Elektron Analog Four MkII and more, as well as 5 brand new tutorials to broaden your production chops.