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Digital Subscriptions > MusicTech > Sep 2019 > REWIND

REWIND

Can you imagine using just one synth to conjure up an entire album? All hail the ARP Instruments ARP 2600 – the synth that created everything from drums to droids!

Purchasing a hardware synthesiser has always been a bit of an investment decision – thankfully now made easier by the cost-effective nature of some of the newer machines of the current age – so it’s always nice to consider a machine you’ll really get some use out of. Does it have the ability to create decent drum sounds, hefty basses and searing leads, and does it contain a good level of polyphony?

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About MusicTech

It’s probably not all that contentious to say that everybody, at some stage in their music-making journey, needs a synth. Whether you’re working on deep, intricate soundscapes, creating pounding dance music or concocting chart-climbing pop hits, taking advantage of the myriad textures, pads and leads that the synthesiser provides is a no-brainer. This month, we celebrate this beloved instrument with a series of linked features, highlighting the history, science and ongoing development of the synth. We speak to Georgia, an artist who wowed Glastonbury with her retro synth-pop stylings; take a trip to Bristol to visit UDO and look at the making of the Super 6, a synthesiser that merges the very best of old and new technology; while Andy Jones delves into the synth’s pivotal role in shaping dance music. We also continue Adam Crute’s Sound Synthesis Masterclass series, this time exploring the science and mechanics of sampling and synthesis. Aside from our synth focus, we also have a fantastic interview with The Prodigy engineer and co-producer Neil Mclellan, who tells the inside story of the making of their classic record Music For The Jilted Generation. We also speak to MPG Breakthrough Engineer Of The Year 2019 Dani Bennett Spragg about her incredible career to date and her best-practice advice. Later, we experience the mind- (and ear-) blowing wall of sound that is James Murphy and Soulwax’s Despacio sound system. Our review section this month continues the synthy vibe that runs through this issue, as we get hands-on with Native’s latest iteration of Massive X, have some fun with Modal’s CRAFTsynth 2 and explore the scope of Softube’s Volume 3. I hope you enjoy the issue.