Shopping Cart -

Your cart is currently empty.
Continue Shopping
This website use cookies and similar technologies to improve the site and to provide customised content and advertising. By using this site, you agree to this use. To learn more, including how to change your cookie settings, please view our Cookie Policy
Pocketmags Digital Magazines
Pocketmags Digital Magazines
   You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
Digital Subscriptions > MusicTech > Sept 17 > Dance music build-ups

Dance music build-ups

Logic has a treasure trove of tools to help you get creative with your audio, and where better to put them to use than in the creation of an epic dance music build-up? Alex Holmes prepares to drop…

Powered by POINT BLANK

With so many people all using the same tools to create electronic music, it’s becoming harder and harder to stand out from the crowd, which is why creativity is your greatest weapon. Whether subtle or extreme, most modern club music favours some form of breakdown, build-up and drop, and it’s here you can let your creativity shine. These sections are often freed from having to fill the frequency spectrum, or from needing a solid, heavy groove to keep people dancing, so you can experiment with extreme processing techniques and rhythmic or melodic tricks. In some cases, DJs will even add further washes of delays and other effects to these sections when they play out, to help whip the crowd into more of a frenzy. Luckily, Logic has a wealth of high-quality native plug-ins and processes that can offer up near-limitless possibilities to the creative mind.


Although not a hard-and-fast rule, you’ll ideally want to have the foundation of your beat, instruments and main hooks in place before working on the build-up section. That way, you can think more carefully about how you can tease or warp certain elements ahead of introducing them in full. The style and genre of your track will have a large bearing on how dynamic you go with your build-up, and will subsequently dictate how far you can stray from what’s come before. Also, the language of standard dance music suggests your biggest drop down or build should occur approximately two-thirds of the way through your track. You might have a similar build-up earlier on, but the main build-up may introduce extra elements on the second drop, or perhaps break down to something more sparse midway through the track, to give the listeners a breather. There are no rules, so build up your track where you like!

Purchase options below
Find the complete article and many more in this issue of MusicTech - Sept 17
If you own the issue, Login to read the full article now.
Single Issue - Sept 17
Or 299 points
Annual Digital Subscription
Only £ 2.33 per issue
Or 2799 points
Monthly Digital Subscription
Only £ 2.99 per issue
Or 299 points

View Issues

About MusicTech

The new issue of MusicTech is on sale from Thursday 17th August and we’re honoured to be the first magazine to present a feature on the brand new studio facilities at the legendary Abbey Road studios: The Gatehouse and the Penthouse. To mark this occasion we bring you a giant Abbey Road special, featuring a studio tour, a COMPLETE gear list, an interview with iconic producer John Leckie (who begun his career at AR) as well as hands on tutorials designed to show you how to re-create the Abbey Road sound at home! We’ve also got a disc packed with Abbey Road related video content for you to feast your eyes on. Elsewhere this issue we have features looking at the history of the Korg MonoPoly, 6 ways to cheat at making music as well as our usual plethora of reviews including the Pioneer Toraiz AS-1 and Novation Circuit 1.5 and a wide range of tutorial content.