GB
  
You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
54 MIN READ TIME

Develop a sense of proportion

Developing a sense of proportion actually comes from a mixture of observation (learning to look) and practice (experience), although it helps to have a knowledge of structure, and there are various exercises that can help with that. It would be impossible for me to give you a template for every species, and even within a species there can be many variants – think the differences in the proportions of a dachshund and a greyhound!

There are, however, some general pointers on what to look for, and some surprising commonalities. Learning about proportion is best done from life. In working from a photograph you can inadvertently replicate a lens distortion (smartphones are the biggest offenders here), or the angle from which the photograph is taken can cause foreshortening, especially of the lower limbs if the angle is slightly from above.

To practise drawing, it does not matter what animal you use, you can even use a human if you look for a good lifedrawing class. The idea is to get a feel for ‘learning to look’. Once you get the basic feel you can start to sketch, draw and paint animals with more confidence.

Read the complete article and many more in this issue of The Artist
Purchase options below
If you own the issue, Login to read the full article now.
Single Digital Issue January 19
 
£5.99 / issue
This issue and other back issues are not included in a new subscription. Subscriptions include the latest regular issue and new issues released during your subscription. The Artist
Annual Digital Subscription £39.99 billed annually
Save
44%
£3.33 / issue
Monthly Digital Subscription £4.99 billed monthly
Save
17%
£4.99 / issue
PRINT SUBSCRIPTION? Available at magazine.co.uk, the best magazine subscription offers online.
 

This article is from...


View Issues
The Artist
January 19
VIEW IN STORE

Other Articles in this Issue


The Artist
WELCOMEfrom the editor
Want to comment on something you’ve read, or seen? Email me at theartistletters@tapc.co.uk, or visit our website at www.painters-online.co.uk/forum
PLUS
THE ARTWORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
YOUR VIEWS
Letters, emails and comments
EXHIBITION
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
The Artist guide open competitions & ExhibiTiONS 2019
The Artist guide open competitions & ExhibiTiONS
FEATURES
Instinctive responses
Caroline Saunders talks to David Remfry MBE RA, about his large-scale watercolours of dancers, his portraits and his links with the fashion industry
Artist, muse and poet
Susie Hodge reviews an exhibition at the Watts Gallery, the first for 25 years, dedicated to the art, poetry and life of Christina Rossetti
Marketing yourself – an overview
Mark David Hatwood introduces a new series in which he looks at the business side of being a professional artist
PRACTICALS
On the spot
Richard Pikesley explains why the constraints of time, changing light and limited painting gear can be a liberation when working in front of the subject
Portraits in watercolour
Jake Winkle debunks the myth that watercolour is a difficult medium for portraiture and demonstrates how to paint a self-portrait in his trademark style
Capture a moment in time
Award-winning botanical artist Julia Trickey demonstrates how to paint a faded rose in wetin- wet watercolour layers
Complex compositions
Yael Maimon concludes her series on composition by demonstrating how to design and paint a complex composition, with her ten top tips for success
Paint your first realist still life in acrylics
If you find the thought of painting your first realist still life a daunting prospect, Tim Gustard offers some encouraging advice as he talks you through the process
Coloured pencil techniques
Alyona Nickelsen explains how you can adapt painting methods and techniques for coloured pencil work whilst continuing to enjoy the amazing benefits of this dry medium
New directions
Use your sketchbooks creatively to work out ideas, experiment, make notes, limber up and be bold, says James Hobbs
Space and perspective in the landscape
Clare Bowen shares her colour-mixing ideas for achieving aerial perspective and creating a feeling of space in landscape painting
Dynamic surfaces for watercolour
Jane Betteridge shows you how to make your watercolour paintings more vibrant and more dynamic by using watercolour grounds
Yes you can paint from photos!
Bob Brandt shares his tips for using photographs as a visual prompt for your paintings
A subscription to The Artist makes a great gift
Give a gift subscription and you will receive a gift card to give to the lucky recipient. They’ll receive their first issue shortly after Christmas
Painters Online editor’s choice
Meet this month’s editor’s choice winner from our PaintersOnline gallery, who receives a £50 Jackson’s Art Supplies gift voucher