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Digital Subscriptions > The Artist > Jul-17 > Charles Williams’ musings: THE SUMMER EXHIBITION

Charles Williams’ musings: THE SUMMER EXHIBITION

Monkeys, oil on linen, 153⁄4x193⁄4in (40x50 cm). This image emerged when the painter Iain Nicholls gave me an impromptu and unwelcome critique of what was, at the time, a relatively simple still life. He was right, but it was annoying, and the only response was to put a monkey in the middle of the still life
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About The Artist

Paint lively watercolour landscapes using the hard and soft edge technique, learn how to capture the movement of water in your watercolours, become a wedding sketchographer, depict the figure in pastels, improve your compositional know-how, develop your colour-mixing skills - all this and much more in this month's issue! Hazel Soan encourages you to you paint informal portraits, BBC1's The Big Painting Challenge winner Suman Kaur shares her top ten tips learnt during the series and David Gould explains how he combines digital and traditional techniques to create contemporary artworks. Soraya French is back to invite you to discover the joy of mark making and create a mixed-media landscape, whilst Jake Winkle reveals the importance of interpreting your subject for more creative results. Charles Williams talks about the Royal Academy Summer Exhibition, Ian Sidaway tests the new Winsor & Newton Professional Water Colour Paper range, Glyn Macey shows how Andy Warhol's work can inspire new approaches, and Adebanji Alade offers his regular motivational tips to keep you painting with energy and confidence. Enjoy!
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