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33 MIN READ TIME

Celebrating the rose

The rose is such a classic form; with its wonderful shape it is a perfect vision of natural beauty. The symbolic connotations of the rose bring so many feelings and moods: the purity of the white rose, the joy of the yellow rose and the passion of the red rose. I associate the rose with protection and compassion, and I hope my love of roses comes through in my painting. The chance to paint the light as it reflects on the petal, the fragility of the surface, the rich foliage, the varied and exciting range of shapes and textures are all great for the painter!

Roses were a favourite subject of the French Impressionists, notably Édouard Manet, who transformed paint into roses with his deft and lively brushwork. Van Gogh said of Manet’s still-life roses ‘as much a flower as anything could be and yet painted in perfectly solid impasto’. Fantin-Latour painted roses all his life and even had a rose named after him.

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The Artist
Oct-17
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The Artist
WELCOME from the editor
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PLUS
THE ARTWORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
YOUR VIEWS
Letters, emails and comments
ART BOOKS & DVDS
Al Gury Watson Guptill books are always good value
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
FEATURES
Exploring the visible
In the first of a new three-part series, Peter Burgess shares his approach to composition, including using the Golden Section, and tonal structure
Paint with‘Our man in Havana’ Peter BrownNEAC ROI
Don’t miss this fabulous opportunity to work alongside ‘Pete the Street’, a highly respected figurative painter, in one of the most colourful and atmospheric cities in the world, before it loses its time-warped appeal
The Horse’s Arse
When this book came out I got hold of a copy as soon
The Artist 2017 Open Competition
Be inspired by the excellence of some of the winners of this year’s open competition and exhibition, organised in partnership with Patchings Art Centre
Slow down
Haste is the artist’s worst enemy says Adebanji Alade. This month he advises you to take your time – it will help you to produce better paintings
The artist CONTRIBUTOR VIDEOS
Check out these inspirational videos by some of this month’s contributors for additional informative online demonstrations
Top Courses Top Tutors
Select from some of the best art courses in the UK and abroad
PRACTICALS
A touch of body colour
Judi Whitton explains how to introduce opaque media to your watercolours to ‘produce timeless, subtle and harmonious’ paintings
Alla-prima oils
Haidee-Jo Summers says the alla-prima approach is a great way to freshen-up your oil paintings. Here she suggests you put yourself to the test by limiting the number of brushstrokes you use
Beach views
Mike Barr reveals the secrets to successful beachscapes, with tips on colours, composition and perspective
The city in perspective
Robert Dutton continues his series with advice on how to use the rules of one-, two- and three-point perspective with exciting viewpoints to create dynamic cityscapes
Smooth, strong colour
‘Firm, velvety-smooth, intensely coloured and reliably lightfast’ is how Susie Hodge describes Derwent’s new Procolour pencils
Mess versus finesse
In the last of his six-part series Paul Talbot-Greaves urges you to loosen up and allow yourself to start with mess – it really will end in success!
Still life with violin
Adele Wagstaff says that musical instruments make a beautiful subject, and demonstrates a still life of her violin
Jackson’s linen boards
Max Hale loves painting on Jackson’s ‘clever’ linen boards. They’re available in a wide range of textures and weights that should meet every artist’s needs
Mixed-media water colours
Paul Riley suggests introducing other media to your watercolours, with advice on the best way to do this. It’s all down to good planning…
How to paint edges
Michael Jules Lang explains, with examples, how to create a variety of edges, and why this will help you to achieve subtle, more sophisticated paintings
THE A-Z OF COLOUR
Some colours should be used with caution, advises Julie Collins, so much so that if mix your own you’ll obtain a better result
Sketching on the move
Seasoned traveller and plein-air sketcher Barry Herniman reveals what he packs in his lightweight sketching kit – the one he takes on his walking holidays. Our Art Courses & Holidays supplement, supplied free with this issue, has more ideas to inspire you!
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