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September 18
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The Artist
September 18
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Other Articles in this Issue
The Artist
WELCOME from the editor
Want to comment on something you’ve read, or seen? Email me at theartistletters@tapc.co.uk, or visit our website at www.painters-online.co.uk/forum
NEXT MONTH IN the artist
Pete Brown, new president of the New English Art Club
PLUS
THE ARTWORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
YOUR VIEWS
Email theartistletters@tapc.co.uk or write to The Editor
ART BOOKS
This book is more about accuracy than minute detail
ART BOX
Royal Talens Van Gogh Watercolour Pocket Box Paint
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
FEATURES
An intuitive way with oil
Caroline Saunders talks to Anthony Yates, winner of The Artist Award in last year’s Royal Society of British Artists’ annual exhibition
The rules of painting
Iteach painting in the fine art degree programme of
PRACTICALS
How to paint en plein air
In the final article in her current series, Amanda Hyatt urges you to just get out there and paint en plein air, and includes confidence-building tips and advice
Choose the right format
Yael Maimon’s new series on composition begins with advice on how choose the best format for your subject matter and a more successful painting
Coping with fine detail
In his new series about plein-air painting challenges, Geoff Hunt explains why a dip pen is now a part of his plein-air watercolour kit
The full-length portrait
Aldo Balding demonstrates a full-length portrait in oils, with advice on measuring and correct representation of the subject
Capture the essence of Venice
Robert Brindley concludes his series with a demonstration of an iconic Venetian scene using photographs, an oil painting and sketches as reference to capture the city’s light, mood and atmosphere
Successful beach scenes
Paul Talbot-Greaves shows you how to use watercolour to master beach scenes with figures in just three main parts
Something else to say
Jenny Wheatley puts the case for returning to a favoured spot time and again to gather information in the form of notes and sketches. When you come to do your studio piece you’ll find that you have more to say than can be achieved on the spot
Christopher Wood
Each month, Glyn Macey looks at the work of a great artist, and demonstrates an acrylic painting in their style for you to follow. This month he’s chosen boats in the harbour
Sketching in the Lake District
In the first of two articles, Ian Sidaway visits the Lake District to gather material for paintings. This month he reveals his travelling materials and sketching process
Seamless colour
Alyona Nickelsen put Derwent Procolour coloured pencils to the test to see how they would stand up to her coloured pencil painting techniques for abrasive surfaces
Acrylics the watercolour way
Last month Barry Herniman revealed the techniques he uses to paint with fluid washes of acrylic, watercolour-style, on paper. This month he’s chosen to work on a gessoed canvas support
Colours for skies
Julie Collins suggests some colour combinations for skies, with advice on how to use them as you follow her examples
Starting to ‘see’ the picture
In his third article on reinventing his style, Martin Kinnear reveals how Cézanne was instrumental in moving him forward with his quest
The challenge of painting from poor photos
Pastel artist Bill Truslove shares his tips for working from poorly composed photos, with emphasis on working to commission
COMPETITIONS, NEWS&OFFERS
Painters Online editor’s choice
Meet this month’s The Artist editor’s choice from our PaintersOnline gallery, who receives a £50 Jackson’s Art Supplies gift voucher
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