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11 MIN READ TIME

A to Z

This month…

P28 NELS CLINE

P30 BENMONT TENCH

P31 HAWKWIND

P33 PETER MURPHY

P34 BON IVER

P35 ESTHER ROSE

P36 SALIF KEITA

P39 SONGDOG

TUNDE ADEBIMPE

Thee Black Boltz SUB POP

6/10 Solo first from TV On The Radio fusionist

After touring last year with TV On The Radio in support of their reissued debut, Adebimpe now delivers his first full-length. Born from darkness both global and personal, it’s an acknowledgment that even the briefest flashes of hope bring light. Though the apple doesn’t fall far from the electronic/art-rock tree, the writing isn’t as fully realised as TVOTR’s and the playing lacks their meaty resonance. “Pinstack” riffs on “Swinging On A Star”, adding an unmemorable guitar motif, while “ILY” suggests Matt Berninger on autopilot. That said, the deep chug that drives “Magnetic” is irresistible and Adebimpe’s voice throughout is, as ever, warm and alluringly scuffed around the edges.

BAMBARA

Birthmarks BELLA UNION

8/10 New York melodramatists enhance their Southern gothic visions

The Brooklyn-based, Atlanta-formed trio move further away from the Cramps-ypost-punk noir sound of their early records on this, their fifth album. An overarching narrative thread reflects their cinematic ambitions as singer-guitarist Reid Bateh broods charismatically in the personae of doomed characters such as the death row killer of “Letters From Sing Sing” (think Tender Prey-era Cave backed by Pornography-era Cure) addressing the heroine of “Elena’s Dream” (a drowsily horn-laced, female-voiced reverie). When they add a rumbling bass groove, it enhances the impact magnificently, as on “Holy Bones” and the haunted trip-hop lament of “Because You Asked”. Captivatingly widescreen stuff.

ANGEL BAT DAWID & NAIMA NEFERTARI

Journey To Nabta Playa SPIRITMUSE

BRANDON SCHULMAN

8/10 Ambitious exploration of a sacred, ancient astronomical site in the Nubian Desert

Journey To Nabta Playa is a brilliant collaboration between the composer, multi-instrumentalist and vocalist Angel Bat Dawid and interdisciplinary artist Naima Nefertari, granddaughter of Moki and Don Cherry. The spirit of the Cherry family pulses through this stunning album, which features a rare Don composition and a phenomenal unreleased piece by his son, David Ornette. The rest are originals, fearless songs traversing free jazz, experimental electronic, classical and even techno. “Exorcism:

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May-25
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In This Issue
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LIVING IN ANOTHER WORLD
From their base in the Essex hinterlands, sonic mystics THESE NEW PURITANS have created a singular body of work that has evolved beyond its nervy post-punk roots to encompass English classicism, visionary pop and taut, experimental music. Sam Richards meets the Puritans’ twin masterminds Jack and George Barnett over cockles, anchovies and rollmops to explore the Arcadian dreams behind their quiet revolution. “We’ve always liked the idea of doing music that you can’t place in any particular time – you don’t quite know whether it’s ancient or from the future.”
HIDDEN GEMS
How to buy These New Puritans
REEL TO REEL CACOPHONY
In 1975, LOU REED unleashed Metal Machine Music – four sides of tones, feedback and sonic manipulation that almost destroyed his career. But was it a drug-crazed act of self-sabotage, a venomous rebuke to a record label expecting “Walk On The Wild Side” part two… or was it instead the latest in a long line of experimental projects Reed had pursued since his earliest musical forays? “He was trying to bring beauty into the world,” one confidant tells Alastair McKay. “Not fuck with everybody.”
HOW TO MAKE METAL MACHINE MUSIC… AT HOME!
Guitar tech Stewart Hurwood now performs installations of Lou Reed Drones, inspired by Metal Machine Music , having worked with Reed to recreate the effect at shows by the Metal Machine Trio. He offers
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For SMALL FACES , 1968 was a year of extremes, from hit singles and a career-defining album to a final, onstage bust-up. But while the bonds between them were strained by internal tensions and external dramas, the music they made in their last months together pointed tantalisingly in bold new directions. As an expanded version of their posthumous The Autumn Stone set reveals fresh treasures, Rob Hughes discovers what really transpired during the band’s final, tumultuous 12 months. “We were splitting up,” says Kenney Jones. “But we sounded so great.”
THE JOURNEY
A Small Faces timeline
A NEW LEAF
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“I WAS ENVIOUS!”
Pete Townshend recalls the Small Faces’ fun factor
THE IMMEDIATE FUTURE
There’s a lot more to come from the label’s catalogue…
Richard Burton’s early days revisited; Mammies go wild in Ireland; internet satire; and more...
M R BURTON “Do you have everything
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Amazing pudding! Adrian Maben’s sumptuous Floyd live/studio/ canteen film, remastered.
ONE TO ONE: JOHN & YOKO
Electrifying portrait of the couple's early years in New York.
NEIL YOUNG COASTAL IN CINEMAS
Life after lockdown: a reflective Young hits the road.
BOOKS
T H ERE is a moment in Mike
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Not Fade Away
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Feedback
Send your brickbats, bouquets, reminiscences, textual critiques, billets-doux and all forms of printable correspondence to letters@uncut.co.uk
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£50 of Rough Trade vouchers!
Peter Capaldi
The post-punk Time Lord on the albums that shaped his universe: “Heard once, it stays forever”
Editorial
“My love is in and around you, hey/I bless the day that I found you”
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DAVID JOHANSEN 1950-2025
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On the stereo this month...
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BENMONT TENCH
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JERRY DAVID DECICCA
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EVAN PARKER
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A to Z
This month…
JEFF BRIDGES
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JULEE CRUISE
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Seventy-three years young, the irrepressible BOOTSY COLLINS is still the No 1 Funkateer, full of tales about the glory days aboard the Mothership, life lessons from James Brown and misadventures in the Bermuda Triangle. With his first new album in five years, P-Funk’s talismanic showman is bringing a message of hope to a new generation. “Whatever we’re living in,” he tells Nick Hasted, “I’m embracing it.”
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Feed The Tree”
Misheard lyrics, a Pixies tour and a studio “taskmaster” contribute to the genesis of an early-’90s indie-pop gem
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THIS IS MY MUSIC
As a recent compilation of rarities by his former band Galaxie 500 reminds us, DEAN WAREHAM has been making quietly influential indie-rock for almost 40 years now. But that’s only part of a story that runs from New Zealand to Harvard, from supporting The Velvet Underground to a parallel career in film. Meanwhile, a new solo album offers new possibilities. “I wanted to be more in control of my life,” he tells Tom Pinnock. “At a certain point, being in a band and voting on everything… it’s different at 60 than it is at 30.”
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Masthead
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