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DANZA&DANZA International Magazine May/June 2018 Back Issue

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In this issue, we hear from three brilliant women: Alena Kovaleva, the new twenty-year-old star of the Bolshoi Ballet, who tells us about her thriving career and aspirations for the future; Canadian choreographer Crystal Pite, whose poetics focuses on the fundamental questions of existence, in Italy this May with her piece Betroffenheit; and Cynthia Harvey, former Principal dancer at the American Ballet Theatre, now Artistic Director of the ABT Jacqueline Kennedy Onassis School in New York. She talks to us about her idea of education, and the school’s legacy.
We review Akram Khan’s new piece Xenos from Athens, the Aszure Barton world premiere at La Scala Theatre in Milan, and the triple bill by Inger-Forsythe-Kyli.n at the Rome Opera Ballet. We also take a look at the celebrations in Saint Petersburg and Moscow marking the bicentenary of Marius Petipa; the Israeli Vertigo Dance Company’s European debut in Belgrade; and “Show” by Hofesh Shechter, seen in Italy with the younger company Shechter II.
The May/June issue’s in-depth feature investigates the forgotten Russian avant garde of the ‘20s and ‘30s and its relationship with American modern dance and the European research of Rudolf von Laban. You’ll also find shopping tips and dance news from Italy and the world.
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DANZA&DANZA International

May/June 2018 In this issue, we hear from three brilliant women: Alena Kovaleva, the new twenty-year-old star of the Bolshoi Ballet, who tells us about her thriving career and aspirations for the future; Canadian choreographer Crystal Pite, whose poetics focuses on the fundamental questions of existence, in Italy this May with her piece Betroffenheit; and Cynthia Harvey, former Principal dancer at the American Ballet Theatre, now Artistic Director of the ABT Jacqueline Kennedy Onassis School in New York. She talks to us about her idea of education, and the school’s legacy. We review Akram Khan’s new piece Xenos from Athens, the Aszure Barton world premiere at La Scala Theatre in Milan, and the triple bill by Inger-Forsythe-Kyli.n at the Rome Opera Ballet. We also take a look at the celebrations in Saint Petersburg and Moscow marking the bicentenary of Marius Petipa; the Israeli Vertigo Dance Company’s European debut in Belgrade; and “Show” by Hofesh Shechter, seen in Italy with the younger company Shechter II. The May/June issue’s in-depth feature investigates the forgotten Russian avant garde of the ‘20s and ‘30s and its relationship with American modern dance and the European research of Rudolf von Laban. You’ll also find shopping tips and dance news from Italy and the world.


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DANZA&DANZA International  |  May/June 2018  


In this issue, we hear from three brilliant women: Alena Kovaleva, the new twenty-year-old star of the Bolshoi Ballet, who tells us about her thriving career and aspirations for the future; Canadian choreographer Crystal Pite, whose poetics focuses on the fundamental questions of existence, in Italy this May with her piece Betroffenheit; and Cynthia Harvey, former Principal dancer at the American Ballet Theatre, now Artistic Director of the ABT Jacqueline Kennedy Onassis School in New York. She talks to us about her idea of education, and the school’s legacy.
We review Akram Khan’s new piece Xenos from Athens, the Aszure Barton world premiere at La Scala Theatre in Milan, and the triple bill by Inger-Forsythe-Kyli.n at the Rome Opera Ballet. We also take a look at the celebrations in Saint Petersburg and Moscow marking the bicentenary of Marius Petipa; the Israeli Vertigo Dance Company’s European debut in Belgrade; and “Show” by Hofesh Shechter, seen in Italy with the younger company Shechter II.
The May/June issue’s in-depth feature investigates the forgotten Russian avant garde of the ‘20s and ‘30s and its relationship with American modern dance and the European research of Rudolf von Laban. You’ll also find shopping tips and dance news from Italy and the world.
read more read less
Danza&Danza is the leading Italian dance magazine. Dedicated to ballet and dance since 1986 and published in Milan, it offers bimonthly interviews with dance stars, news from the Italian dance scene, reviews and features on ballet and contemporary dance plus a shopping section. The Danza&Danza International edition is not simply a translation of the Italian magazine (print and digital), it has been created with an international audience mind. An edition for anyone who wants to find out more about great Italian theatres and festivals. Includes multimedia contents exclusively available on the app.

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Articles in this issue


Below is a selection of articles in DANZA&DANZA International May/June 2018.