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Pocketmags Digital Magazines
Pocketmags Digital Magazines


They’ve re-released classics, rarities and hitherto unheard masterpieces by some of the greatest musicians to have graced our stereos, and picked up Grammy nominations for their work. Without the boss’ stint on student radio, however, they might never have existed. Wyndham Wallace meets the man who switched on Light In The Attic


Sveated on a sofa in his Los Angeles off ce, Light In the Attic’s Matt Sullivan is battling to talk over the noise of traffic when, suddenly, he leaps up and heads to the stereo. It’s not, however, to put on one of the many LPs piled up around the room. Instead, he pulls a picture off the wall.

“I just framed this”, he grins excitedly. “It’s the cover of my high school Trapper Keeper”, a brand of folder favoured through the 1980s by American high school students for their homework. “I wrote the names of my favourite bands: Yo La Tengo, Jane’s Addiction… Look! Acetone’s on here!”

Finding the name of a forgotten early 1990s Californian act might not seem exciting if it weren’t that last autumn – 25 years after Acetone formed, and 16 after their bassist took his life, provoking the band’s split – the label Sullivan founded in 2002 released a compilation, Acetone 1992–2001. The Verve’s Richard Ashcroft, Spiritualized’s Jason Pierce and Mazzy Star’s Hope Sandoval endorsed the release with superlatives, while gushing reviews confirmed the validity of the enthusiasm that first led Sullivan to scribble the name on his binder.

Moreover, that 16-track collection – which also featured nine previously unreleased recordings – helped not only to revivify established fans of Acetone’s cruelly curtailed career, but also brought the act to a new audience. This summer, the band’s remaining members united – alongside two musicians with whom they’ve recently formed another project – to perform at London’s Barbican, something unthinkable a year earlier. But this is what Light In the Attic specialise in: illuminating music’s dark, neglected corners, reminding people about lost classics and encouraging them to reevaluate overlooked gems.

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About Long Live Vinyl

As the exhaustive new 15-disc David Bowie boxset, Loving The Alien, hits the streets, Long Live Vinyl lifts the lid on the period between 1983-88 when Bowie became a global pop megastar. Through exclusive interviews with Nile Rodgers, Carlos Alomar, Reeves Gabrels and Hugh Padgham, we bring you the inside story behind Bowie’s biggest decade, as well as an in-depth look at the reimagined Never Let Me Down 2018 album that’s the highlight of the new boxset. Elsewhere in this packed issue, we speak to Mark Lanegan about making his most spontaneous album to date with Duke Garwood; Hookworms reveal how they’ve become one of the UK’s most exciting live acts – while holding down day jobs; Cornershop look forward to their long-awaited new album; and Matt Berry kicks off the countdown to National Album Day. Dennis Morris tells us about his career photographing bona fide music legends including Bob Marley and the Sex Pistols; our Classic Album is Primal Scream’s 1991 collision of garage rock and dance music, Screamadelica; we round up 40 Essential Queen albums; and The Trip heads to Bordeaux on a French cratedigging adventure. If all that’s not enough, we bring you the widest range of new album, reissue, turntable and accessory reviews anywhere on the newsstand.