This website use cookies and similar technologies to improve the site and to provide customised content and advertising. By using this site, you agree to this use. To learn more, including how to change your cookie settings, please view our Cookie Policy
Pocketmags Digital Magazines
Pocketmags Digital Magazines

Creating Modulating Effects with Step FX IN LOGIC PRO X

Logic 10.4’s new Step FX plug-in enables you to create rhythmic mayhem with your audio. Alex Holmesfires up some beats and steps to it…


With version 10.4, Logic now has some sexy new FX plug-ins to help you further shape your audio, not least of which is Step FX. This powerful new multi-effects unit can create a range of sounds, from subtle rhythmic pulses to brutal trance gates and warped glitches via three independent Step Modulation Lanes. Although it shares some DNA with the new Phat FX plug-in, the focus is more on creative movement and pulsating rhythms. The effects themselves are relatively simple, with a minimal number of parameters to control, but once you start stacking modules and modulations, things can quickly start to sound complex.


Let’s start with the modules themselves. There’s a Mod FX for chorus and timebased effects, a stereo delay with built-in filter, an Exciter for adding sheen, a Dirt distortion for adding grit, a simple reverb with nine algorithms, a multi-mode filter with a whopping 34 types, and a Master section with Input, Output and Mix controls. It’s worth taking note of this, as the Distortion modules will react differently depending on how hot the incoming signal is. Plus, you’ll most likely need to balance the output once you’ve applied various processors.

The Filter section is arguably the one you’ll end up using the most, and the superb new analogue-modelled filters are a definite step up from using the AutoFilter. Our personal favourite is the LP 12dB Gritty, which saturates at higher resonance settings, giving it a satisfying 303-esque squealing quality. There are also three new comb filter types – great for sound design – and Ring Mod, Bitcrush, Downsample, Mech and Tube settings, which adds some extra distortion options. The order of these effects can easily be rearranged by clicking and dragging on the Effects order strip at the bottom of the GUI.

Purchase options below
Find the complete article and many more in this issue of MusicTech - Apr-18
If you own the issue, Login to read the full article now.
Single Issue - Apr-18
Or 299 points
Annual Digital Subscription
Only $ 2.42 per issue
Or 2899 points
Monthly Digital Subscription
Only $ 2.99 per issue
Or 299 points

View Issues

About MusicTech

Emulating the artists that inspired us in our many music-making ventures is as much about rekindling those feelings as it is knowing how the sounds were created. In our cover feature this month we show you how to get impossibly close to the sonic signatures left by your musical heroes. Continuing the theme we present our newest feature ‘Recording Spotlight,’ where we speak to Peter Franco, engineer on Daft Punk’s Random Access Memories, and gain insight into the complex, painstaking work that went into creating this modern classic. Additionally, we sit down with dance-music producer Stefano Ritteri and rising UK production star Rhiannon Mair, get into the meat of Cubase 9.5 and get hands-on with all the latest gear, tech and software. We hope you enjoy the issue…