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The Muse

Liv Ullmann on the Ingmar Bergman she loved



WITHOUT INGMAR BERGMAN, cinema as we know it would be radically different. His early hits— Summer With Monika (1953), Smiles of a Summer Night (1955), Wild Strawberries (1957)—primed a global art house movement. His 1957 masterpiece The Seventh Seal opened the floodgates.

But if The Seventh Seal altered the course of filmmaking, the career of Bergman—who died at 89 in 2007 and whose centennial is celebrated this year—has a different epochal demarcation: pre- and post-Liv.

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