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Aug-17
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Depth and flatness: putting perspective into perspective
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37 MIN READ TIME
Depth and flatness: putting perspective into perspective
Martin Kinnear
One, two and three point linear perspective
Gennes from Les Rosiers Sur Loire
, oil, 36×48in (91.5×122cm). Spatial ambiguity: this study of Gennes was intended to place ’air’ in the painting
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WELCOME From the editor
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THE ARTWORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
Go back to basics with Leisure Painter
Celebrating our 50th year, Leisure Painter is the UK’s
FEATURES
A head for heights
Janet Kenyon tells Susie Hodge how she captures both natural and artificial light and achieves her multi-layered style in her award-winning watercolour paintings
Brushes and canvas
Ian Cryer, president of the Royal Institute of Oil Painters, shares his thoughts on canvas and brushes, how one affects the other and how his techniques have developed over the years
Charles Williams’ musings: GALLERIES and COLLEGES
Charles Williams NEAC RWS Cert.RAS is a painter, writer
ADE BANJI ’ S MOTIVATION L TIPS Dream big
Whatever stage you are on your journey of being the creative person you really want to be, there is always room for improvement, says Adebanji Alade
PRACTICALS
Flower painting in mixed media
Aine Divine demonstrates a mixed-media painting of flowers – it was so much fun to do that she urges you to have a go
Selfies
In this series, Phil Tyler has explored a variety of different approaches to drawing and painting the figure. The selfie is an opportunity to re-explore these approaches more fully, and he has some interesting ideas for you to try
How to paint realistic seacapes in acrylics
Jo Quigley reveals her systematic approach to painting realistic seascapes in acrylic
Consistent, creamy colour
Liz Seward says that working with Caran d’Ache Museum Aquarelle Pencils was one of the ‘the best painting experiences I’ve had for a long time – I love these pencils!’
Negative painting
Paul Riley begins a three-part watercolour course with a look at some of the ways to achieve negative shapes, and their importance
Street life
David Questa reveals how he expresses movement and energy in his plein-air drawings of busy city streets
Summer trees and foliage in watercolour
Judi Whitton urges you to try a new approach to the way you paint summer trees and foliage to allow your paintings to become more exciting and original
Woods and water
Barry Herniman shares the contents of his plein-air sketching kit – one that sees him well placed for a day’s sketching as he gathers material for a watercolour painting
Shape and suggestion
How do you balance the strong shapes with the softer areas of a scene? Haidee-Jo Summers’ ideas will help you to focus on what you want to achieve in your landscape painting
Warm versus cool
This month Paul Talbot-Greaves demonstrates how you can add impact to your painting by using warm and cool contrasting colours and sets this month’s challenge for you to submit for appraisal
THE A-Z OF COLOUR
Julie Collins explains why value is so important in your painting and explains how to make a value scale
PLUS
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OPPORTUNITIES & COMPETITIONS
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EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITIONS DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
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