US
50 MIN READ TIME

Making choices

Figure I

The Orangery, Frampton on Severn, Gloucestershire, watercolour on Fabriano Artistico HP 140lb (300gsm), 5X7in (12.5X18cm).

Read the complete article and many more in this issue of The Artist
Purchase options below
If you own the issue, Login to read the full article now.
Single Digital Issue July 19
 
$5.99 / issue
This issue and other back issues are not included in a new subscription. Subscriptions include the latest regular issue and new issues released during your subscription. The Artist
Annual Digital Subscription $39.99 billed annually
Save
44%
$3.33 / issue
Monthly Digital Subscription $4.99 billed monthly
Save
17%
$4.99 / issue
PRINT SUBSCRIPTION? Available at magazine.co.uk, the best magazine subscription offers online.
 

This article is from...


View Issues
The Artist
July 19
VIEW IN STORE

Other Articles in this Issue


The Artist
WELCOME
Want to comment on something you’ve read, or seen?
PLUS
YOUR VIEWS
Email theartistletters@tapc.co.uk or write to The Editor
THE ARTWORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
RA SUMMER EXHIBITION
For over 250 years artists have been taking paintings
FEATURES
Drawing from life
Roger de Muth documents how his journey from professional illustrator to full-time artist has influenced his watercolours, including details of his plein-air painting kit and why he loves the Urban Sketchers movement
PRACTICALS
Catching the light and magic of watercolour
David Taylor shares his techniques for achieving spontaneity, light and atmosphere in watercolour paintings
SUBSCRIBE TODAY!
SAVE 30% on the shop price with a subscripton to The
The intimate landscape
Sheila Goodman demonstrates how she likes to home-in on the landscape to find texture, colour and pattern, which she depicts using soft pastels
Create depth in your landscapes
Jenny Aitken shows you how to draw your viewer into your painting by creating the illusion of depth
Perspective and all that
In the second part of his new series on choosing colours for landscape painting, Martin Kinnear explains how to manage colours for visual design purposes
Backlit-trees
Carole Baker begins a two-part series by demonstrating how to create the effect of luminescent light in acrylics to capture a backlit treescape
PROVENCE
Ian Sidaway returned to Provence for inspiration for a set of paintings for a recent Royal Institute of Painters in Water Colours exhibition. He describes how he painted them – and includes tips on entering open competitions
PROVENCE
It had been more than 35 years since I had last visited
The way of the brush
Hazel Soan concludes her three-part series by explaining how to perfect your brushstrokes in the dance of the brush
Rule of thumb
This month Ruth Buchanan reveals her methods for developing successful compositions from original reference material
Less is more
Knowing when to stop painting is a difficult choice for any artist. Robert Dutton discusses strategies to adopt to help you avoid overworking
Summer rose
Paint a vibrant rose in watercolour in just five stages with Paul Talbot-Greaves
Paint street scenes full of life and colour
Jake Winkle demonstrates how to capture the hustle and bustle of busy street scenes in watercolour using two different approaches
JULY
This month Geoff Hunt finds himself painting not only by the riverside but also out on the water
The Art of Trees
To celebrate Forestry England’s centenary year and the voluntary work of artists from the Bedgebury Pinetum Florilegium Society, we present some examples of their work which can be seen in a special exhibition at Bedgebury
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
Painters Online editor’s choice
Meet this month’s editor’s choice winner from our PaintersOnline gallery, who receives a £50 Jackson’s Art Supplies gift voucher
Packing, couriers and insurance
If you sell your work or enter competitions, you will be faced with the task of packing and despatching a painting to the customer or gallery. Mark David Hatwood advises on how to make sure it arrives safely