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And another thing…

If you have a clear sense of how your story will end then you can, as it were, rewind to the beginning and plot any number of various routes that will allow you to arrive at that desired ending – with its attendant catharsis, of course. If you start writing (however striking your original idea) with no sense of how your story will end, then life becomes progressively harder. Flailing around. Writer’s block. Draft after draft. This is how novels get abandoned; film scripts bottom-drawered. The thing to do is to stop and envisage your final pages, your final scene. Take your time. What note do you want to strike? What surprise do you want to spring? What denouement will justify this journey?’

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About Writing Magazine

In this month's issue of the UK's bestselling magazine for writers, we show you how to sell your book, with tips on how to get your book into bookshops and why, and how, you need to assemble a press pack. In the June issue, you can find out how facing up to failure as a writer can be the first step to success. Learn how to use a second person 'you' narrator in your fiction, and explore the opening of seminal adventure novel King Solomon's Mines. Our star interview is Alison Weir, discussing combining historical rigour with fiction vigour in her Six Tudor Queens series of novels. Keep up to date with the latest competitions and opportunities to get into print in the packed pages of the latest Writers News.

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