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DANZA&DANZA International Magazine July/August Back Issue

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0 Reviews   •  English   •   Art & Photography (Art)
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We used to think of Carla Fracci as being eternal – and in some ways the lady of Italian dance is, having left her mark on the history and mythology of international ballet. In the pages of this issue we’ve dedicated to Fracci we attempt to capture “Carla’s secret”, her power as a collective, cross-generational legend. We asked four personalities from the dance world who knew her well, to write down their memories of her: Gheorghe Iancu, Paul Chalmer, John Neumeier and Carolyn Carlson.
The Venice Dance Biennale and a summer packed with major festivals are the springboard for us to look to the future. And to other women too, iconic in their own way. The resilient Maguy Marin continues to blaze her own trail, and features in our cover story and the young choreographer Oona Doherty who intrigues us, award-winning surprise in Venice Biennale (Silver Lion 2021).
On the subject of iconic women, this summer harks back to Anna Pavlova and her most famous solo, The Dying Swan: four incredibly intense minutes of conscious agony, with the poignant melody that ‘speaks of’ the death of a solitary, feminine bird. Now, it seems the time has come to ‘stir it up’ again with original re-writes and a contemporary aesthetic.
Last but not least, we take a deep dive into Virtual Reality: it has captured the imagination of many dancemakers, not just because of the pandemic, but as a natural technological development.
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DANZA&DANZA International

July/August We used to think of Carla Fracci as being eternal – and in some ways the lady of Italian dance is, having left her mark on the history and mythology of international ballet. In the pages of this issue we’ve dedicated to Fracci we attempt to capture “Carla’s secret”, her power as a collective, cross-generational legend. We asked four personalities from the dance world who knew her well, to write down their memories of her: Gheorghe Iancu, Paul Chalmer, John Neumeier and Carolyn Carlson. The Venice Dance Biennale and a summer packed with major festivals are the springboard for us to look to the future. And to other women too, iconic in their own way. The resilient Maguy Marin continues to blaze her own trail, and features in our cover story and the young choreographer Oona Doherty who intrigues us, award-winning surprise in Venice Biennale (Silver Lion 2021). On the subject of iconic women, this summer harks back to Anna Pavlova and her most famous solo, The Dying Swan: four incredibly intense minutes of conscious agony, with the poignant melody that ‘speaks of’ the death of a solitary, feminine bird. Now, it seems the time has come to ‘stir it up’ again with original re-writes and a contemporary aesthetic. Last but not least, we take a deep dive into Virtual Reality: it has captured the imagination of many dancemakers, not just because of the pandemic, but as a natural technological development.


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DANZA&DANZA International  |  July/August  


We used to think of Carla Fracci as being eternal – and in some ways the lady of Italian dance is, having left her mark on the history and mythology of international ballet. In the pages of this issue we’ve dedicated to Fracci we attempt to capture “Carla’s secret”, her power as a collective, cross-generational legend. We asked four personalities from the dance world who knew her well, to write down their memories of her: Gheorghe Iancu, Paul Chalmer, John Neumeier and Carolyn Carlson.
The Venice Dance Biennale and a summer packed with major festivals are the springboard for us to look to the future. And to other women too, iconic in their own way. The resilient Maguy Marin continues to blaze her own trail, and features in our cover story and the young choreographer Oona Doherty who intrigues us, award-winning surprise in Venice Biennale (Silver Lion 2021).
On the subject of iconic women, this summer harks back to Anna Pavlova and her most famous solo, The Dying Swan: four incredibly intense minutes of conscious agony, with the poignant melody that ‘speaks of’ the death of a solitary, feminine bird. Now, it seems the time has come to ‘stir it up’ again with original re-writes and a contemporary aesthetic.
Last but not least, we take a deep dive into Virtual Reality: it has captured the imagination of many dancemakers, not just because of the pandemic, but as a natural technological development.
read more read less
Danza&Danza is the leading Italian dance magazine. Dedicated to ballet and dance since 1986 and published in Milan, it offers bimonthly interviews with dance stars, news from the Italian dance scene, reviews and features on ballet and contemporary dance plus a shopping section. The Danza&Danza International edition is not simply a translation of the Italian magazine (print and digital), it has been created with an international audience mind. An edition for anyone who wants to find out more about great Italian theatres and festivals. Includes multimedia contents exclusively available on the app.

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