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DANZA&DANZA International Magazine September/October Retour à l'édition précédente

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Mauro Bigonzetti is undeniably the most in-demand Italian choreographer on the international stage. Indeed, these days he spends ninety percent of his time working abroad. However, for the 2022/2023 season, he is set to create two works in Italy, the first for Michele Merola’s independent company MMCDC and the second commissioned by Eleonora Abbagnato for the Rome Opera Ballet. And that’s in addition to a multitude of other upcoming projects he discussed with us. A wave of South African dance will be taking three important Italian festivals - Torinodanza, Romaeuropa and Aperto in Reggio Emilia - by storm from September: Gregory Maqoma, Via Katlehong and Robyn Orlin bring a political and social message with them through a variety of different poetics and styles.
Also in this issue, we mark the establishment of the first National Choreographic Centre in Italy as we underline the critical points that currently exist with regards to its mission: the Ministry is expected to give further indications in the coming months as to the exact purpose of this new institution in Italy, which, unlike in neighbouring France, will not revolve around the figure of the choreographer. For our A Director Reflects feature we met Martin Schläpfer, at the helm of Wiener Staatsballett for two years after taking up the reins right in the middle of the pandemic, who discusses his desire to breathe modernity into the prestigious ensemble.
As a summer season punctuated by Italian and international premieres draws to a close, we evaluate some of the shows in our Dance Scene section, complete with information on where to catch them in the coming months.
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DANZA&DANZA International

September/October Mauro Bigonzetti is undeniably the most in-demand Italian choreographer on the international stage. Indeed, these days he spends ninety percent of his time working abroad. However, for the 2022/2023 season, he is set to create two works in Italy, the first for Michele Merola’s independent company MMCDC and the second commissioned by Eleonora Abbagnato for the Rome Opera Ballet. And that’s in addition to a multitude of other upcoming projects he discussed with us. A wave of South African dance will be taking three important Italian festivals - Torinodanza, Romaeuropa and Aperto in Reggio Emilia - by storm from September: Gregory Maqoma, Via Katlehong and Robyn Orlin bring a political and social message with them through a variety of different poetics and styles. Also in this issue, we mark the establishment of the first National Choreographic Centre in Italy as we underline the critical points that currently exist with regards to its mission: the Ministry is expected to give further indications in the coming months as to the exact purpose of this new institution in Italy, which, unlike in neighbouring France, will not revolve around the figure of the choreographer. For our A Director Reflects feature we met Martin Schläpfer, at the helm of Wiener Staatsballett for two years after taking up the reins right in the middle of the pandemic, who discusses his desire to breathe modernity into the prestigious ensemble. As a summer season punctuated by Italian and international premieres draws to a close, we evaluate some of the shows in our Dance Scene section, complete with information on where to catch them in the coming months.


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DANZA&DANZA International  |  September/October  


Mauro Bigonzetti is undeniably the most in-demand Italian choreographer on the international stage. Indeed, these days he spends ninety percent of his time working abroad. However, for the 2022/2023 season, he is set to create two works in Italy, the first for Michele Merola’s independent company MMCDC and the second commissioned by Eleonora Abbagnato for the Rome Opera Ballet. And that’s in addition to a multitude of other upcoming projects he discussed with us. A wave of South African dance will be taking three important Italian festivals - Torinodanza, Romaeuropa and Aperto in Reggio Emilia - by storm from September: Gregory Maqoma, Via Katlehong and Robyn Orlin bring a political and social message with them through a variety of different poetics and styles.
Also in this issue, we mark the establishment of the first National Choreographic Centre in Italy as we underline the critical points that currently exist with regards to its mission: the Ministry is expected to give further indications in the coming months as to the exact purpose of this new institution in Italy, which, unlike in neighbouring France, will not revolve around the figure of the choreographer. For our A Director Reflects feature we met Martin Schläpfer, at the helm of Wiener Staatsballett for two years after taking up the reins right in the middle of the pandemic, who discusses his desire to breathe modernity into the prestigious ensemble.
As a summer season punctuated by Italian and international premieres draws to a close, we evaluate some of the shows in our Dance Scene section, complete with information on where to catch them in the coming months.
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Danza&Danza is the leading Italian dance magazine. Dedicated to ballet and dance since 1986 and published in Milan, it offers bimonthly interviews with dance stars, news from the Italian dance scene, reviews and features on ballet and contemporary dance plus a shopping section. The Danza&Danza International edition is not simply a translation of the Italian magazine (print and digital), it has been created with an international audience mind. An edition for anyone who wants to find out more about great Italian theatres and festivals. Includes multimedia contents exclusively available on the app.

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