Vous consultez actuellement le France version du site.
Voulez-vous passer à votre site local ?
31 TEMPS DE LECTURE MIN

TRADING STANDARDS

FEATURE BY PAUL HAYES

In the earliest days of Doctor Who the BBC’s Visual Effects Department didn’t have a great deal to do with the programme, as it was considered beyond their resources. As a result, effects would be handled by scenic designers, who often employed outside companies such as Shawcraft for special prop construction and model work. Contrary to the popular conception that effects on Doctor Who’s original run was handled largely in-house, this hiring-in procedure continued for several years.

Bill King ran The Trading Post in the 1960s, at the time of the company’s closest association with Doctor Who.

The Trading Post was used for visual effects on several stories during the Patrick Troughton era, although the company’s association with Doctor Who went back to the programme’s very beginnings in 1963. It supplied some of the set dressing for the TARDIS control room in the very first episode, and occasionally hired out other bits and pieces for various stories thereafter.

Lisez l'article complet et bien d'autres dans ce numéro de Doctor Who Magazine
Options d'achat ci-dessous
Si le problème vous appartient, Connexion pour lire l'article complet maintenant.
Numéro unique numérique DWM Special 43 – Special Effects
 
€5,99 / issue
Ce numéro spécial n'est pas inclus dans une nouvelle Doctor Who Magazine abonnement. Les abonnements comprennent le dernier numéro régulier et les nouveaux numéros publiés pendant votre abonnement.
Abonnement numérique annuel €64,99 facturé annuellement
Sauvez
55%
€5,00 / issue
ABONNEMENT À LA PRESSE ÉCRITE ? Disponible sur magazine.co.uk, le meilleures offres d'abonnement à des magazines en ligne.
 

Cet article est tiré de...


View Issues
Doctor Who Magazine
DWM Special 43 – Special Effects
VOIR EN MAGASIN

Autres articles dans ce numéro


DOCTOR WHO
DOCTOR WHO
In the final episode of Nigel Kneale’s groundbreaking serial The Quatermass
BUILD A ROCKET BOYS!
Picture the scene: a too-close encounter with an alien organism
A Peculiar Effect on the BBC
In the early days of the Visual Effects Department, everything
MINIATURE Effects
The public has always enjoyed seeing highly detailed miniatures of
COSTUME DRAMAS
Joining the BBC’s Visual Effects Department in 1958, Peter Day
The GOLDEN AGE of CSO
In the hostile jungle of the planet Spiridon, the Doctor
The Ian Scoones Scrapbooks
The most flamboyant designerin the Visual Effects Department – and
The MONSTER CLUB
Before you could watch 45 minutes of Doctor Who Confidential
TINSEL, CLING FILM AND PLASTER DALEKS
Ian Gosling was already a BBC employee when, in early
Plastic Surgery
"I always refer to the BBC as ‘my company’,” says
PHYSICAL Effects
The most common physical effects are probably those connected to
LOGAN'S RUN
I had to go to Wales to blow up a
DOG DAYS
Tony Harding realised how famous K9 had become on a
AFTER EFFECTS
In the 1970s I was a big Doctor Who fan
Demolition Man
Visual effects assistants are some of Doctor Who’s unsung heroes,
Lord of the Files
Colin Mapson took an unconventional route to a three-decade career
SID EEFFECTS
After nearly half a century of operation, the BBC’s Visual
The Next Generation
In the mid-1990s it seemed Doctor Who’s television future lay
Trouble at Mill
Will Cohen’s childhood memories of Doctor Who are typical of
Picture Perfect
"It was incredibly exciting. We were making stuff for TV
MADE IN HEAVEN
Samantha Price remembers how she first heard about Heaven Sent
Axis All Areas
“Doctor Who is different every time. That’s the fun. You
ROLE MODELS
The things that got me into what I do now