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hi-fi+ Global Network Magazine

12 numéros par an   |  English
446 Critiques   •  English   •   Leisure Interest (Hi-Fi)
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hi-fi+ is Europe’s premier English-language high-end audio magazine. Whether it’s the latest in digital audio technology or the best turntable you’ve ever heard, hi-fi+ magazine is the ultimate audiophile authority.

Our goal is clear; to seek out the finest audio components money can buy. Music is the soundtrack to all our lives and we think that the better that soundtrack, sounds the more enriched our lives can be. A good audio system can open up new avenues of music that might surprise you. We don’t differentiate; it could be a classic valve amplifier or a state-of-the-art music server – if it sounds good, we want to know and we want to tell you about it. The difference between good sound and great sound lies in the details… and we are obsessive about detail.

We aren’t constrained by measurement or bogged down in stuffy old paradigms. We are relevant and a little bit irreverent. Hi-Fi+ features some of the best writers in the business, all passionate about making music sound as good as it possibly can. We seek out the finest audio components – and the latest and greatest music – and aren’t afraid of finding the best, whatever the cost.
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hi-fi+ Global Network

hi-fi+ Issue 253 Editor's Choice - Loudspeakers Overlooking lots of loudspeaker reviews from recent years, in order to construct our Editor’s Choice pages, something dawned on me. The second-hand market should be more vibrant that it seems. There are reasons for this lull in ‘preloved’ audio, but not all of them make sense. Stepping away from transducers for a moment, I can get why someone might not want to buy a digital product that might not be supported for too long. Those who still use an original Logitech Squeezebox are finding its functionality severely limited today as MySqueezebox and Squeezebox Radio are no longer supported. I can also understand the reluctance to invest in an older tube amplifier if it uses obscure valves with no stock and limited support. But these are effectively outliers. Most second-hand products don’t fall into this ‘impending doom’ category. Back when I used to work in an audio store, second-hand goods had a two-fold benefit. First, they were a good way of offering a reduced price for loyal customers; it’s not quite a discount, but if you know that you get a good trade-in on your existing product you tend to look after it a bit more and stay loyal to that brand. Then, second-hand created a brisk trade in still viable products at more affordble prices. I think the fastest turnaround we had for a second-hand product was about three hours; a Naim owner was upgrading his preamp, his trade-in preamp was in mint condition and by the time we had put it on the bench for testing, there was already someone reaching for the credit card to buy it. That in turn creates loyal customers, and ones who may well trade that now third-hand product in for a new one. It also makes good financial sense for many buyers. OK, so you don’t get to be the first person to break the seal on your new toy, and it might have a few dings and scratches from its past life, but a second-hand product is often valued at half the price of a new one.


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hi-fi+ Global Network issue hi-fi+ Issue 253

hi-fi+ Global Network  |  hi-fi+ Issue 253  


Editor's Choice - Loudspeakers
Overlooking lots of loudspeaker reviews from recent years, in order to construct our Editor’s Choice pages, something dawned on me. The second-hand market should be more vibrant that it seems. There are reasons for this lull in ‘preloved’ audio, but not all of them make sense.

Stepping away from transducers for a moment, I can get why someone might not want to buy a digital product that might not be supported for too long. Those who still use an original Logitech Squeezebox are finding its functionality severely limited today as MySqueezebox and Squeezebox Radio are no longer supported. I can also understand the reluctance to invest in an older tube amplifier if it uses obscure valves with no stock and limited support. But these are effectively outliers. Most second-hand products don’t fall into this ‘impending doom’ category.

Back when I used to work in an audio store, second-hand goods had a two-fold benefit. First, they were a good way of offering a reduced price for loyal customers; it’s not quite a discount, but if you know that you get a good trade-in on your existing product you tend to look after it a bit more and stay loyal to that brand.

Then, second-hand created a brisk trade in still viable products at more affordble prices. I think the fastest turnaround we had for a second-hand product was about three hours; a Naim owner was upgrading his preamp, his trade-in preamp was in mint condition and by the time we had put it on the bench for testing, there was already someone reaching for the credit card to buy it. That in turn creates loyal customers, and ones who may well trade that now third-hand product in for a new one.

It also makes good financial sense for many buyers. OK, so you don’t get to be the first person to break the seal on your new toy, and it might have a few dings and scratches from its past life, but a second-hand product is often valued at half the price of a new one.
en savoir plus lire moins
hi-fi+ is Europe’s premier English-language high-end audio magazine. Whether it’s the latest in digital audio technology or the best turntable you’ve ever heard, hi-fi+ magazine is the ultimate audiophile authority.

Our goal is clear; to seek out the finest audio components money can buy. Music is the soundtrack to all our lives and we think that the better that soundtrack, sounds the more enriched our lives can be. A good audio system can open up new avenues of music that might surprise you. We don’t differentiate; it could be a classic valve amplifier or a state-of-the-art music server – if it sounds good, we want to know and we want to tell you about it. The difference between good sound and great sound lies in the details… and we are obsessive about detail.

We aren’t constrained by measurement or bogged down in stuffy old paradigms. We are relevant and a little bit irreverent. Hi-Fi+ features some of the best writers in the business, all passionate about making music sound as good as it possibly can. We seek out the finest audio components – and the latest and greatest music – and aren’t afraid of finding the best, whatever the cost.

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hi-fi+ Global Network

Great mag Révision 24 janvier 2026

hi-fi+ Global Network

Hi Fi + has a much more friendly user interface than The Absolute Sound, which is a pain to read online. Révision 01 avril 2025

Really interesting

Very good magazine for all those fans of hi-fi information and news Révision 09 avril 2022

Hi-Fi+

Well, over the (many) years as an Audiophile, I have read (many) Audiophile magazines...My first impressions of Hi-Fi+ came from reading a printed issue (unfortunately, landed to someone who should have sent it back to me but didn't), but that issue whetted my appetite, so I paid for the digital edition. Great reviews, of important products, well-written....very satisfied. Will re-activate my subscription when it expires (in two month's time). Thanks a lot! Révision 17 janvier 2021

Hi-Fi+

Excellent magazine, well written articles, technically accurate, informative and entertaining. Révision 17 janvier 2021

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