Life Of Agony’s fans definitely have time for Mina Caputo
DEREK BREMNER
IT LOOKS LIKE the entire 90s have turned up. Not only that, a beyond-packed Dome is also rammed with people celebrating an album that’s older than they are. But three decades on, as much as Life Of Agony’s River Runs Red remains a flagship of New York’s early 90s metal scene, its impassioned rollercoaster ride through themes of gender, abandonment and mental health feels every bit as keyed into our current moment as it did back then.