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Electronic Sound Magazine Issue 101 Edición anterior

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We have British Electric Foundation on the front of this month's Electronic Sound and an exclusive blue vinyl seven-inch boasting two previously unreleased Martyn Ware tracks to accompany the issue.

Our cover feature is the story of BEF's debut album, 'Music For Stowaways', and it begins at The Human League's HQ in Sheffield in late 1980, with Martyn Ware being ejected from the band and Ian Craig Marsh deciding to leave with him. What followed was a whirlwind year, with Martyn and Ian releasing 'Stowaways', initially only on cassette, and at the same time hooking up with Glenn Gregory and getting to work on Heaven 17's 'Penthouse And Pavement' album. "We wanted to present this notion that you were entering our universe," says Martyn. "We were creating an alternative fantasy existence, because the real world – I mean, I was living in a two-bedroom council house – had no glamour to it. At all.”

This month's other lead interviews include Sparks, Penelope Trappes, Anne Clark, Nick Rhodes, Nathan Fake, Gilroy Mere, Trees Speak and Richard Anthony Hewson, the man who gave his initials to The RAH Band. We also have a lengthy piece about Ryuichi Sakamoto, whose death was announced a few weeks ago. Given his broad catalogue of groundbreaking and enriching work over a 45-year career – with Yellow Magic Orchestra, as a solo artist, and as a frequent collaborator – Sakamoto's influence can't be overstated. The electronic world already feels like a poorer place without him.
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Electronic Sound

Issue 101 We have British Electric Foundation on the front of this month's Electronic Sound and an exclusive blue vinyl seven-inch boasting two previously unreleased Martyn Ware tracks to accompany the issue. Our cover feature is the story of BEF's debut album, 'Music For Stowaways', and it begins at The Human League's HQ in Sheffield in late 1980, with Martyn Ware being ejected from the band and Ian Craig Marsh deciding to leave with him. What followed was a whirlwind year, with Martyn and Ian releasing 'Stowaways', initially only on cassette, and at the same time hooking up with Glenn Gregory and getting to work on Heaven 17's 'Penthouse And Pavement' album. "We wanted to present this notion that you were entering our universe," says Martyn. "We were creating an alternative fantasy existence, because the real world – I mean, I was living in a two-bedroom council house – had no glamour to it. At all.” This month's other lead interviews include Sparks, Penelope Trappes, Anne Clark, Nick Rhodes, Nathan Fake, Gilroy Mere, Trees Speak and Richard Anthony Hewson, the man who gave his initials to The RAH Band. We also have a lengthy piece about Ryuichi Sakamoto, whose death was announced a few weeks ago. Given his broad catalogue of groundbreaking and enriching work over a 45-year career – with Yellow Magic Orchestra, as a solo artist, and as a frequent collaborator – Sakamoto's influence can't be overstated. The electronic world already feels like a poorer place without him.


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Electronic Sound issue Issue 101

Electronic Sound  |  Issue 101  


We have British Electric Foundation on the front of this month's Electronic Sound and an exclusive blue vinyl seven-inch boasting two previously unreleased Martyn Ware tracks to accompany the issue.

Our cover feature is the story of BEF's debut album, 'Music For Stowaways', and it begins at The Human League's HQ in Sheffield in late 1980, with Martyn Ware being ejected from the band and Ian Craig Marsh deciding to leave with him. What followed was a whirlwind year, with Martyn and Ian releasing 'Stowaways', initially only on cassette, and at the same time hooking up with Glenn Gregory and getting to work on Heaven 17's 'Penthouse And Pavement' album. "We wanted to present this notion that you were entering our universe," says Martyn. "We were creating an alternative fantasy existence, because the real world – I mean, I was living in a two-bedroom council house – had no glamour to it. At all.”

This month's other lead interviews include Sparks, Penelope Trappes, Anne Clark, Nick Rhodes, Nathan Fake, Gilroy Mere, Trees Speak and Richard Anthony Hewson, the man who gave his initials to The RAH Band. We also have a lengthy piece about Ryuichi Sakamoto, whose death was announced a few weeks ago. Given his broad catalogue of groundbreaking and enriching work over a 45-year career – with Yellow Magic Orchestra, as a solo artist, and as a frequent collaborator – Sakamoto's influence can't be overstated. The electronic world already feels like a poorer place without him.
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Electronic Sound magazine is famed for its deep electronic foundations and sets the scene for Electronic Sound as a culture and a technology. High-quality journalism and undisputed expertise of the scene make this magazine a must read for fans of electronic music.


The latest technology and toy reviews are available in each monthly issue along with a synth analysis used by the early pioneers. Electric Sounds magazine is a plethora of synth knowledge and you’ll love the tips and tricks from the synth wizard, Synthesiser Dave, with a wealth of advice on repairs and fixes for all of your machines.


Offering you a range of popular monthly features; including artist interviews with past pioneers and future hitmakers, a historic look back at key synth sounds and expert tips within the popular tech advice section.


Whether you’re part of the DIY revolution or a trailblazing studio engineer then Electric Sound is talking about the topics that matter to you, so what are you waiting for? Subscribe to Electronic Sound magazine and download the latest magazine to your device and enjoy today!

An Electronic Sound digital magazine subscription is a must for electric music fans of all levels:

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Electronic Sound

It would be good to have sound links to hear clips of tracks. Revisado 30 enero 2021

Electronic Sound

Great magazine, thank you Revisado 30 septiembre 2020

Electronic Sound

Best coverage for global electronic music releases. My favorite mag. Revisado 05 julio 2020

the best electronic music mag, bar none

It is to all kinds of electronic music, old and new, obscure and well-kent, what the likes of Uncut and Mojo are to trad rock - a high quality print (and online) title, well written and beautifully produced Revisado 15 noviembre 2016

The ultimate electronic music magazine

Excellent Revisado 25 agosto 2016

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