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Gramophone Magazine March 2025 Edición anterior

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19 Reseñas   •  English   •   Music (Other)
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Gramophone’s March issue features the French composer Maurice Ravel on the cover. Mark Pullinger explores the output of this fastidious composer, drawing together recurrent themes in a compact and perceptive overview of his music. James Jolly talks to Sir Stephen Hough about the pianist-composer’s new Piano Concerto, released on Hyperion this month; and Hattie Butterworth discusses The Sixteen’s annual Choral Pilgrimage, which reaches its 25th anniversary this year, with the group’s conductor Harry Christophers. In our Icons feature Michael McManus considers the career of the Northern Irish soprano Heather Harper, while in our Contemporary Composer feature Richard Whitehouse introduces the work of the British composer Charlotte Bray and suggests some essential listening. For the Musician and Score, Peter Quantrill talks to pianist Tamara Stefanovich about working with Boulez on the composer’s uncompromising Piano Sonata No 2. In addition, Richard Osborne writes a major Collection feature on Beethoven’s Symphony No 7, considering almost a century of recordings of this great work.
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March 2025 Gramophone’s March issue features the French composer Maurice Ravel on the cover. Mark Pullinger explores the output of this fastidious composer, drawing together recurrent themes in a compact and perceptive overview of his music. James Jolly talks to Sir Stephen Hough about the pianist-composer’s new Piano Concerto, released on Hyperion this month; and Hattie Butterworth discusses The Sixteen’s annual Choral Pilgrimage, which reaches its 25th anniversary this year, with the group’s conductor Harry Christophers. In our Icons feature Michael McManus considers the career of the Northern Irish soprano Heather Harper, while in our Contemporary Composer feature Richard Whitehouse introduces the work of the British composer Charlotte Bray and suggests some essential listening. For the Musician and Score, Peter Quantrill talks to pianist Tamara Stefanovich about working with Boulez on the composer’s uncompromising Piano Sonata No 2. In addition, Richard Osborne writes a major Collection feature on Beethoven’s Symphony No 7, considering almost a century of recordings of this great work.


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Originally published over 90 years ago in 1923, Gramophone magazine has been furnishing music fans with highly respected reviews and critical analysis spanning all genres of classical music ever since. Each issue contains highly recommended recordings of the month that you just can’t miss, with interesting and insightful features that explore the greater depth of the recordings and scores.


Whether it’s news, reviews, features or playlists, Gramophone magazine gives readers everything the world of classical music has to offer. As the ‘world’s leading authority on classical music’, you can expect to find all-revealing interviews with the biggest names in classical music alongside the celebration of iconic composers and musicians such as Mozart and Beethoven.


With a reputation founded on acclaimed critical analyses of the latest CD releases, you can expect independent and intelligent editorial with over 150 reviews in each issue. What’s more, subscribers to Gramophone magazine will also enjoy unparalleled and comprehensive coverage of upcoming performances and live events in the UK and around the world - so you’ll know what to book!  


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