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KEITH SCOTT

From “Cuts Like a Knife” to “Summer of ’69,” the Canadian guitar great discusses the gear and solos that have fueled Bryan Adams’ music for more than 40 years By Joe Bosso

MAKING SURE THE NEIGHBORS STAY AWAKE

“For [‘Native Son’], I played Bryan’s 1962 Strat through a 1960s Vox AC30. It was mainly clean, though I did use an Ibanez Tube Screamer to give it a bit of a kick on the front end. At that time, from the mid-Eighties through to the Nineties, we used that guitar a lot on our records, especially on Waking Up the Neighbours”

MAKING SURE THE NEIGHBORS STAY AWAKE

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Guitar World
July 2024
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