Está viendo la página Spain versión del sitio.
Le gustaría cambiar a su sitio local?
51 MIN TIEMPO DE LECTURA

WHEN JUSTICE BLINKS

IN THE MOVIES, or on TV, it usually happens like this: A process server posing as a clumsy bike messenger slaps someone with a subpoena as he or she walks out of a deli. But it didn’t happen that way in 2004, when I found myself in the middle of another special counsel investigation that threatened a Republican White House. Instead, I got a call from the FBI asking if I’d be willing to answer a few questions about an article I had co-authored for Time magazine, where I was a White House correspondent. I demurred, and after some back and forth with the counsel for the magazine’s parent company, Time Inc., the feds simply faxed their subpoena to the lawyers. How boring.

What followed, however, wasn’t boring. For over a year, I fought in court alongside Time Inc. to avoid revealing my discussions with sources in what came to be known as the CIA leak case. It’s called that because the identity of a former covert intelligence operative, Valerie Plame, had been disclosed—a possible felony and something that reportedly damaged U.S. security and put lives in danger. I didn’t out Plame; that happened before I started writing about the case. But an administration official, Karl Rove, had disclosed her identity to me. Our appeals took more than a year and went all the way to the Supreme Court, which declined to hear our argument that I shouldn’t have to testify against a source because of a privilege of confidentiality that is akin to that of physicians and clergy. During one appeals proceeding, I scribbled in my notebook: “Je suis fucked.” I wound up telling my story to a grand jury.

Desbloquea este artículo y mucho más con
Puedes disfrutar:
Disfrute de esta edición al completo
Acceso instantáneo a más de 600 títulos
Miles de números atrasados
Sin contrato ni compromiso
Inténtalo €1.09
SUSCRÍBETE AHORA
30 días de acceso, luego sólo €11,99 / mes. Cancelación en cualquier momento. Sólo para nuevos abonados.


Más información
Pocketmags Plus
Pocketmags Plus

Este artículo es de...


View Issues
Newsweek International
2nd June 2017
VER EN TIENDA

Otros artículos de este número


BIG SHOTS
Let Us Spray
Tehran, Iran— Supporters of Iranian President Hassan
A Date Which Will Live in…
Riyadh, Saudi Arabia—President Donald Trump and first
Tanks for the Memories
Hwacheon, South Korea— An art installation featuring
Magma Carta
Beganding, Indonesia —Mount Sinabung spewed thick volcanic
PAGE ONE
HOME, SWEET (GOVERNMENT-DEMOLISHED) HOME
Moscow’s plan to forcibly relocate a million Russians could fuel opposition to Putin
High Maintenance
EUROPEAN INVESTIGATORS ARE FINDING CACHES OF AN AMPHETAMINE POPULAR WITH JIHADIS
FEATURES
The Watson Will See You Now’
Trumpcare was DOA. Congress isn’t going to fix Obamacare. The only prescription for better (and cheaper) health care: ‘ Take two apps and call me in the morning’
The Artwashing of America
GENTRIFICATION IS REMAKING THE CITIES OF THE WORLD, FROM LONDON TO JAKARTA, BUT ACTIVISTS IN EAST LOS ANGELES HAVE DECIDED TO FIGHT BACK. THEIR GOAL: KILL THE ART GALLERIES
NEW WORLD
LAUDATORY AUDITORY
Deaf mice can be cured with a gene implant
THE QUIET BOMB
North Korean hackers are much scarier than North Korean nukes
WEEKEND
Sydney, Australia
Fleet Foxes go back to the future
Mozart and Me Italian opera director Jacopo Spirei on a special relationship
Mozart and Me Italian opera director Jacopo Spirei
Little Donkey, Cambridge, Massachusetts
For a slow pack animal, Little Donkey sure gets around.
New Japanese design Teruhiro Yanagihara picks the best products from small makers
New Japanese design Teruhiro Yanagihara picks the best
Modern Master
WILLEM DE KOONING made paintings that were bold, boundary-changing
Former U.K. Ambassador Sir Paul Lever on John le Carré’s The Secret Pilgrim
Former U.K. Ambassador Sir Paul Lever on John le Carré’s
A Matter of Life and Death Edward Docx makes sense of an ending
A Matter of Life and Death Edward Docx makes sense
Gross encounters Alien: Covenant returns the franchise to horrific, slimy form
Gross encounters Alien: Covenant returns the franchise
Rolling Stoned
AMIR BAR-LEV, the 45-year-old director of Long Strange
PARTING SHOT
‘Casemate SK667’ Jane & Louise Wilson, 2006