Otello Verdi
Compared with his previous Otello for the Shanghai Opera House in 2008, with flourishes of red fabric as if in a Chinese opera, Maurizio di Mattia’s new production for Opera Hong Kong was largely free from either Asian visual influences or self-conscious updating
China
OPERA HONG KONG
Music ***
Staging ***
Review by Ken Smith Photography courtesy of Opera Hong Kong
Rather than spinning a contemporary multicultural gloss on racial tensions or domestic violence, Di Mattia stuck closely to the original story and trusted audiences to find relevance for themselves.