Está viendo la página Spain versión del sitio.
Le gustaría cambiar a su sitio local?
19 MIN TIEMPO DE LECTURA

TAKE A BOW

VENUE O2 ACADEMY ISLINGTON, LONDON DATE 08/12/2023

It’s bitterly cold outside tonight as IQ take the stage for yet another ‘Legendary Christmas Bash’, and to be honest, the atmosphere seems a bit frosty inside Islington Academy too. Downgrading from the far more suitable Islington Assembly Hall (where the band played in 2019) or 229 in Great Portland Street, probably hasn’t helped matters as it’s rammed to the rafters inside this soulless concrete box of a venue and sharpened elbows are pointing rigidly outward. There’s little in the way of Christmas cheer for anyone trying to manoeuvre their way towards the stage.

At the bar, one fellow of short stature is even getting belligerent with punters standing in front of him ordering a drink, seemingly oblivious to the fact that’s actually what happens at bars in venues. Later, he and his coterie of pals will be admonished, rightly, for yapping like terriers. There’s been a fair few posts on social media about behaviour at gigs recently, and not just from the prog community. Is this a reflection of where we’re at as a society?

Desbloquea este artículo y mucho más con
Puedes disfrutar:
Disfrute de esta edición al completo
Acceso instantáneo a más de 600 títulos
Miles de números atrasados
Sin contrato ni compromiso
Inténtalo €1.09
SUSCRÍBETE AHORA
30 días de acceso, luego sólo €11,99 / mes. Cancelación en cualquier momento. Sólo para nuevos abonados.


Más información
Pocketmags Plus
Pocketmags Plus

Este artículo es de...


View Issues
Prog
Issue 147
VER EN TIENDA

Otros artículos de este número


REGULARS
PROG PRESENTS…
Discovering 
Ed’s Letter
Stream the Prog 147 playlist at www.spoti.fi/48Ohdnv
Bloody Well Write
Send your letters to us at: Prog, Future Publishing, 121-141 Westbourne Terrace, London, W2 6JR, or email prog@futurenet.com. Letters may be edited for length. We regret that we cannot reply to phone calls. For more comment and prog news and views, find us on facebook.com under Prog.
JANE WEAVER GOES “HEAVY MELLOW” ON HER LATEST ALBUM
IF IT’S OUT THERE, IT’S IN HERE
TEMIC
Prog-metal alumni band’s pulse-driven project forms with a little help from Mike Portnoy.
HILARY WOODS
The Irish artist evolves into a creator of totally immersive states.
HANDS OF THE HERON
British trio combine multilayered instrumentals and vocals with spellbinding results.
DIRTY SOUND MAGNET
Swiss rockers embark on a psychedelic journey with latest release.
Q & A STEVE BABB
Glass Hammer’s main maestro discusses the creation of ARISE, satisfying personal expectations and what it’s like to steer the ship after three decades.
THE PROG INTERVIEW
BRIAN AUGER
STEVE HACKETT
The ex-Genesis guitarist’s first fully-fledged concept album in decades is a dizzying, delirious box of delights.
JONATHAN WILSON
The great and good of progressive music give us a glimpse into their prog worlds. As told to Grant Moon.
FEATURES
THE PROG READERS’ POLL 2023
Prog magazine is 15 years old next issue.
Through The Prog Windows
After years spent wandering the dark caves of the extreme-metal underworld, with 2003’s Damnation album, awash with that most un-metal instrument the Mellotron, Opeth emerged into the light with leader and songwriter Mikael Åkerfeldt now flying the flag of a card-carrying progressive rock fan. Ahead of the album’s 20th-anniversary reissue, Prog spoke to him about a record he says was “a normal prog-rock record, but for Opeth was completely new and unique.”
Art School Dancing
One day in 1987, Porcupine Tree founder Steven Wilson met singer-songwriter Tim Bowness. Whether or not the planets were aligned that day, you can determine for yourself, but their subsequent collaborations as No-Man would result in some extraordinary and innovative music – as you can find out on their new box set Housekeeping: The OLI Years 1990-1994
Hello, I Must Be Bowing
Experimental cellist Jo Quail has harnessed primal and spiritual elements in her latest releases, the dual EPs Invocation and Supplication. Comprising two three-song cycles and the distinctive vocals of Heilung’s Maria Franz and O.R.k’s Lorenzo Esposito Fornasari, the EPs find The Cartographer musician moving into new sonic worlds. Quail shares the story of their creation and reveals her new-found passion for the trombone.
Work To The Rhythm
Six decades into his career, Trevor Horn has finally released a third album under his own name. Echoes – Ancient & Modern finds the musician and superproducer infuse a second collection of reimagined pop songs with his magic. He discusses reworking 80s anthems with Steve Hogarth and Robert Fripp, the Yes years and why he loves nothing more than making mischief.
Sonic Odyssey
Its mood consistently dark and ominous, with songs about climate change, disinformation and the reigniting of the Cold War, Pallas’s latest album, The Messenger, is certainly far from easy listening. Only their eighth album in their 48 years, it was also – as usual – far from being a rush job.
“WE DIDN’ T SEE A FUTURE BEING IN A BAND!”
After they released 2020’s Rise Radiant into a world in facing the unknown, Caligula’s Horse began to question their existence as a band. However – despite creative uncertainty and line-up changes – the Aussie prog rockers persisted to make their heaviest and most ambitious material. Guitarist Sam Vallen tells Prog about Charcoal Grace’s black heart.
Strange Band
One of the great and most original progressive bands of the late 60s/early 70s, Family were an influence on so many groups that came along after them. Fifty-two years after its release, Prog talks to Roger Chapman and Poli Palmer about one of their best albums, Bandstand
ALL CHANGE YET STILL THE SAME
Now a band in their own right, the Spock’s Beard alumni are back with Pattern-Seeking Animals and their fourth album, Spooky Action At A Distance. This provides the perfect opportunity to catch up with multi-instrumentalist and founder John Boegehold, to discuss changing things up, bonus tracks, and what the future might hold for P-SA.
Set The Controls…
Producer Youth talks to Prog about his new reboot of The Orb & David Gilmour’s 2010 collaboration album Metallic Spheres into Metallic Spheres In Colour – and the mouthwatering prospect of the project being performed live, super-hi-tech, which would be “the most amazing gig I could ever witness”.
COVER FEATURE
Whale Tales & Circus Trails
With his first proper concept album in almost
Fantastic Voyage
Recorded while he was still the guitarist in Genesis, Steve Hackett’s debut solo album Voyage Of The Acolyte – and its commercial success – gave him a confidence he had previously lacked. Along with what he saw as winds of change blowing through Genesis, it helped him to soon make the decision to follow his group “pal” Peter Gabriel out of the band.