Está viendo la página Spain versión del sitio.
Le gustaría cambiar a su sitio local?
5 MIN TIEMPO DE LECTURA

Teaching & Playing

TECHNIQUE

Playing with expression

How to build an emotional connection with music that shines through in every note

BORN

Exeter, NH, US

STUDIED WITH

Bernard Greenhouse, Luigi Silva

TEACHES

Conservatoire students aged 17+

There is an illusion among many young musicians that if they play technically ‘perfectly’, they will sound beautiful. Technical excellence is essential to enable us to say something of value with our playing, but it doesn’t mean that we will. I can be extremely impressed by someone’s technique and sound but be unmoved by their playing. So how does one connect with another person’s heart? To play from the heart is the ultimate goal, with the same passion that drives us to speak with conviction, guided by the human stories we inherit from composers through their writing. Our sounds should be evidence of our feelings, and by listening with the heart, aided by curiosity and a good technique, we can learn to express ourselves openly and eloquently, unencumbered by worries about how to manage our playing. We can engage passionate objectivity to adapt our playing so that we communicate what we really feel and mean to say to our audience.

Lea el artículo completo y muchos más en este número de The Strad
Opciones de compra
Si eres el dueño de la edición, Iniciar sesión para leer el artículo completo ahora.
Edición digital única August 2021
 
€5,99 / issue
Este número y otros números atrasados no se incluyen en un nuevo suscripción. Las suscripciones incluyen el último número regular y los nuevos números publicados durante su suscripción. The Strad
Suscripción digital anual €64,99 facturado anualmente
Guardar
23%
€5,42 / issue

Este artículo es de...


View Issues
The Strad
August 2021
VER EN TIENDA

Otros artículos de este número


In This Issue
Editor’s letter
ANGELA LYONS For most musicians, living through the
SOUNDPOST
Letters, emails, online comments
REGULARS
On the beat
News and events from around the world this month
NEWS IN BRIEF
Julian Lloyd Webber hits out at post- Brexit
IN FOCUS
GIROLAMO AMATI II
TRADE SECRETS
Making a martelé button
MY SPACE
LUTHIER GERTRUD REUTER
MAKING MATTERS
Something in the air
MASTERCLASS
BRAHMS VIOLA SONATA OP.120 NO.1
CONCERTS
Live streams: US
RECORDINGS
HOMAGE TO BACH BACH Solo Violin Sonatas: in
BOOKS
Monograph of the Antonio Stradivari Cello c.1690 ‘Barjansky’ Ed.
From the ARCHIVE
FROM THE STRAD AUGUST 1901 VOL.12 NO.136
VIKTORIA MULLOVA
The Sibelius Violin Concerto played a pivotal part in the Soviet-born violinist’s life – even though it was unknown to her until the age of 18
FRONT
A kind of magic
The powers of alchemy form the basis of a new string quartet
NEW PRODUCTS
Pure and simple A user-friendly tuning website for
Life lessons
The acclaimed solo and chamber bassist stresses the importance of self-reliance and self-discipline in building a meaningful career and life
RELAXED BODY, FOCUSED MIND
The art of Chinese calligraphy has much to teach us about playing a stringed instrument, writes violist Hsin-Yun Huang
FEATURES
A SUNNY DISPOSITION
In the past few years, US violinist Esther Yoo has seen her career blossom as a soloist and chamber player. And despite the pandemic, she has seized every opportunity to grow as a musician, as she tells
ADJUSTMENT TO CHANGE
The method of connecting an instrument’s neck to its body has undergone seismic changes since the Baroque era. Joseph Curtin analyses the ancient and modern procedures, and examines the benefits offered by fixing an adjustable neck
LORD OF THE DANCE
Three centuries ago, Bach had completed his set of six Sonatas and Partitas for solo violin. In the second of two articles, Lewis Kaplan, senior member of the Juilliard School faculty, discusses interpretation of the three partitas – with reference to Bach’s autograph score
An enduring legacy
Like their close contemporaries the Knopfs, the Herrmann family of bow makers left behind a large number of bows, many of which show exquisite craftsmanship. In the second of two articles, Gennady Filimonov examines their history, their connections with the Knopfs, and several examples of their work
WEATHERING THE STORM
Violinist Karen Gomyo’s new album, dedicated to Astor Piazzolla and recorded during the Covid-19 pandemic, was a profound and personal project for all involved, writes Rita Fernandes
PORTRAIT OF A LADY HOLDING A VIOLIN
Taking a Regency portrait of an unknown violinist as his starting point, Kevin MacDonald investigates the lives and careers of Louise Gautherot and other female violinists of Georgian England
AHEAD OF THE CURVE
Recording the archings of instruments is one of the most difficult areas of violin making and restoration. Charline Dequincey describes a method using dental compound which is accessible to anyone, and gives high-quality results
Chat
X
Soporte Pocketmags